Keith Richards and Norah Jones - Love Hurts
 

~
 

the overhead fan and the air conditioner just turned on, and Savannah cleaning her fluffy tail.(f)

Songbird - Eva Cassidy
 

Cal Tjader - Soul Sauce (Album)
 

Tracks:
1. Soul Sauce (Guachi Guaro) 00:00
2. Afro Blue 02:21
3. Pantano 06:53
4. Somewhere in the Night 10:26
5. Maramoor Mambo 13:39
6. Tanya 17:40
7. Leyte 23:08
8. Spring Is Here 28:27
9. João 32:28
10. Soul Sauce (Guachi Guaro) [rough mix] 37:17
11. Monkey Beams 39:48
12. Ming 45:26
13. Mamblues 54:04

Personnel:
Cal Tjader - vibraphone
Lonnie Hewitt - piano
Richard Davis (tracks 2, 11 & 12), - bass
John Hilliard (tracks 1, 3-10 & 13) - bass
Grady Tate (tracks 2, 11 & 12), - drums
Johnny Rae (tracks 1, 3-10 & 13) - drums
Willie Bobo, Armando Peraza, Alberto Valdes - percussion
Donald Byrd - trumpet (tracks 2, 11 & 12)
Jimmy Heath - tenor saxophone (tracks 2, 11 & 12)
Kenny Burrell - guitar (tracks 2, 11 & 12)
Bob Bushnell - electric bass (track 2)

Salma Hayek ~ Siente Mi Amor
 

Café Anatolia ~ Los Ejes De Mi Caretta
 

Federico Aubele ~ Somewhere Else (featuring Melody Gardot)
 

Mina Mazzini ~ Un Anno D'Amore
 

Charlie Parker - The Original Bird ( Savoy 1944-49 - Vinyl Album)
 

Chucho Valdes & The Afro-Cuban Messengers - Jazz à Vienne Live (2010)
 

Diego El Cigala. Cigala & Tango. Concierto Teatro Gran Rex de Buenos Aires
 

Total 80's mood tonight
 

:dance2:

Love her voice.....
 

I first heard this song 5 years ago...loved it then...love it now....enjoy!
 

Marian McPartland's Piano Jazz - Norah Jones
 

Taken from youtube:
Marian McPartland passed away on August 20, 2013. She was 95. In this article by Nate Chinen in The New York Times, Norah Jones
remembers appearing on Piano Jazz with Marian McPartland.Ms. Jones, 34, first appeared on “Piano Jazz” shortly after releasing her debut album, “Come Away With Me” (Blue Note), which earned eight Grammy Awards. “It made me happy because I had listened to Marian for so long,” she said. “My mom and her ended up becoming friends, writing letters for the last 10 years…”

“I was actually on her show twice. I like how she would play one song herself, one of the artist’s songs. She did that with me; she played “Don’t Know Why” and completely reharmonized it. And she’ll let you play something, and then you get to play together.”

“I was really nervous, but I wasn’t nervous about her not being cool. She was just the most sweet, welcoming, motherly sweetheart: polite, very British, but very warm. I remember her smile after we would finish a tune. You can kind of hear it on the radio. She says something like “Uh! That was marvelous,” and you could see it on her face. It was nice, after hearing those Marianisms on the radio, to be the recipient of one.”

00:00 Introduction 1:21
01:20 September In the Rain 3:13 (Dubin/Warren)
04:33 Dialogue 3:55
08:27 In The Dark 4:31 (Little/Green)
12:58 Dialogue 2:04
15:01 Comes Love 3:49 (Brown/Stept/Tobias)
18:49 Dialogue 3:20
22:08 For All We Know 4:15 (Doots/Lewis)
26:23 Dialogue 2:31
28:54 I Can’t Get Started 4:48 (V Duke/I Gershwin)
33:40 Dialogue (1:37)
35:17 Don’t Know Why 3:43 (Jesse Harris)
38:59 Dialogue 2:01
41:00 Peace 3:58 (Silver)
44:57 Dialogue 0:42
45:39 The Nearness of You 5:05 (Carmichael)
50:42 Dialogue 1.57
52:38 Beautiful Friendship 3:15 (Kahn/Styne)
55:53 Conclusion 1:57

Norah Jones - piano, vocals
Marian McPartland - piano

Nina Simone - In the Dark
 

listening to
 

Listening to Nana Muscouri in English

Michael Franks - Greatest Hits
 

The Civil Wars - The Violet Hour
 

The Civil Wars - Pressing Flowers
 

I'm going to see Willie in 10 days!
 

Hope The Concert is a Blast!
 

Sad today
 

Lionel Ritchie - Hello
 

Sting - Shape of My Heart
 

Sonny Rollins - Moving Out
 

From AllMusic.com:

The collaborations between Sonny Rollins and any given trumpet player were few and far between, but they did include such notables as Miles Davis, Don Cherry, Clifford Brown, and in this case, his first tandem partnership with Kenny Dorham. At the time, both of them were also members of the Max Roach Quintet, and thus quite familiar with each other's strengths. Add to the mix drummer Art Blakey, bassist Percy Heath, and emerging modern jazz pianist Elmo Hope, and this shapes up to be one of the more potent combos of 1954. It's pretty straightforward music featuring Rollins, with little involvement from Dorham except solos. The fast title track, based on the changes of "Donna Lee" or "Indiana," has the briefest melody line before Rollins leaps into eighth-note madness, while the very fleet "Swingin' for Bumsy" does the same, repeating the slimmest phrase three times. An all-time classic, "Solid" does have the two horns together, playing an established, bluesy unison thought, a beauty in economy, while the obligatory ballad "Silk 'n' Satin" is all Rollins wrapped in a fabric of sheen and softness. There's one track that features an entirely different band for some reason, as "More Than You Know" encompasses a full 11 minutes of this program, which in total is just shy of 32 minutes. This unmistakable melody is enveloped by Rollins and Thelonious Monk, with bassist Tommy Potter and drummer Art Taylor in support for a tune that is unlike the others in style and texture. Moving Out contains some fine music, especially for the time period.

Tracks
Moving Out
Swingin' for Bumsy
Silk 'n' Satin
Solid
More Than You Know

Filous - How Hard I Try (ft. James Hersey)
 

Moods - How I Feel (feat. Sam Wills)
 

Listening to
 

The Best of Leonard Cohen

Corinne Bailey Rae - Hey, I Won't Break Your Heart