Two from e.e.cummings:

i carry your heart with me



i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear; and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

And...

i carry your heart(i carry it in my heart)


i like my body when it is with your

i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh ... And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new

Anne Bradstreet
 

"To my Dear and Loving Husband"

If ever two were one, then surely we.
If ever man were lov'd by wife, then thee.
If ever wife was happy in a man,
Compare with me, ye women, if you can.
I prize thy love more than whole Mines of gold
Or all the riches that the East doth hold.
My love is such that Rivers cannot quench,
Nor ought but love from thee give recompetence.
Thy love is such I can no way repay.
The heavens reward thee manifold, I pray.
Then while we live, in love let's so persevere
That when we live no more, we may live ever.


p.s. I love how she defied contemporaneous (and modern) expectations of women writers--how she candidly discusses love, domestic experiences, and trauma without rationalizing it or justifying it (via religious or any other means).

says it all
 

When things go wrong as they usually will

and your daily life seems all up hill

When funds are low and debts are high

and you try to smile but can only cry

and you really feel like you want to quit

don't come to me I don't give a shit.

Ithaka
Constantin Cavafy

As you set out for Ithaka
hope the voyage is a long one,
full of adventure, full of discovery.
Laistrygonians and Cyclops,
angry Poseidon—don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians and Cyclops,
wild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope the voyage is a long one.
May there be many a summer morning when,
with what pleasure, what joy,
you come into harbors seen for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind—
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to gather stores of knowledge from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you are destined for.
But do not hurry the journey at all.
Better if it lasts for years,
so you are old by the time you reach the island,
wealthy with all you have gained on the way,
not expecting Ithaka to make you rich.

Ithaka gave you the marvelous journey.
Without her you would not have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,
you will have understood by then what these Ithakas mean.

**this was read by Maurice Templesman at Jacqueline Kennedy's funeral
and I love it so.

A Dream of Trees

There is a thing in me that dreamed of trees,
A quiet house, some green and modest acres
A little way from every troubling town,
A little way from factories, schools, laments.
I would have time, I thought, and time to spare,
With only streams and birds for company,
To build out of my life a few wild stanzas.
And then it came to me, that so was death,
A little way away from everywhere.
There is a thing in me still dreams of trees.
But let it go. Homesick for moderation,
Half the world's artists shrink or fall away.
If any find solution, let him tell it.
Meanwhile I bend my heart toward lamentation
Where, as the times implore our true involvement,
The blades of every crisis point the way.
I would it were not so, but so it is.
Who ever made music of a mild day?
––Mary Oliver

and I dedicate this poem, to me.

The Lovesong of J. Alfred Prufrock (excerpt)
 

Keeping Things Whole

By Mark Strand


In a field
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.

When I walk
I part the air
and always
the air moves in
to fill the spaces
where my body’s been.

We all have reasons
for moving.
I move
to keep things whole.

I understand that this piece is long, so scroll on through if it tries the patience...It is still none the less one of my very favourites.


Sylvia Plath - Tulips

The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ----
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.

I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ----
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I have no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.

a nearly forgotten favorite
 

Come to me in my dreams, and then
By day I shall be well again!
For then the night will more than pay
The hopeless longing of the day.

Come, as thou cam'st a thousand times,
A messenger from radiant climes,
And smile on thy new world, and be
As kind to others as to me!

Or, as thou never cam'st in sooth,
Come now, and let me dream it truth;
And part my hair, and kiss my brow,
And say: My love! why sufferest thou?

Come to me in my dreams, and then
By day I shall be well again!
For then the night will more than pay
The hopeless longing of the day.


Matthew Arnold
1852

all time fav...
 

Light will someday split you open
Even if your life is now a cage,
For a divine seed, the crown of destiny,
Is hidden and sown on an ancient, fertile plain
You hold the title to...
Love will surely bust you wide open
Into an unfettered, blooming new galaxy
Even if your mind is now
A spoiled mule.
A life-giving radiance will come,
The Friend's gratuity will come

O look again within yourself,
For I know you were once the elegant host
To all the marvels in creation.

From a sacred crevice in your body
A bow rises each night
And shoots your soul into God.

Behold the Beautiful Drunk Singing One
From the lunar vantage point of love.

He is conducting the affairs
Of the whole universe
While throwing wild parties
In a tree house - on a limb
In your heart.

Hafiz

rediscovering some e.e.
 

being to timelessness as it's to time, love did no more begin than love will end; where nothing is to breathe to stroll to swim love is the air the ocean and the land

(do lovers suffer?all divinities proudly descending put on deathful flesh: are lovers glad?only their smallest joy's a universe emerging from a wish)

love is the voice under all silences, the hope which has no opposite in fear; the strength so strong mere force is feebleness: the truth more first than sun more last than star

-do lovers love?why then to heaven with hell. Whatever sages say and fools, all's well

When Man Enters Woman by Anne Sexton

When man,
enters woman,
like the surf biting the shore,
again and again,
and the woman opens her mouth with pleasure
and her teeth gleam
like the alphabet,
Logos appears milking a star,
and the man
inside of woman
ties a knot
so that they will
never again be separate
and the woman
climbs into a flower
and swallows its stem
and Logos appears
and unleashes their rivers.

This man,
this woman
with their double hunger,
have tried to reach through
the curtain of God
and briefly they have,
through God
in His perversity
unties the knot.

Basket of Figs
 

Basket of Figs
by Ellen Bass

Bring me your pain, love. Spread
it out like fine rugs, silk sashes,
warm eggs, cinnamon
and cloves in burlap sacks. Show me

the detail, the intricate embroidery
on the collar, tiny shell buttons,
the hem stitched the way you were taught,
pricking just a thread, almost invisible.

Unclasp it like jewels, the gold
still hot from your body. Empty
your basket of figs. Spill your wine.

That hard nugget of pain, I would suck it,
cradling it on my tongue like the slick
seed of pomegranate. I would lift it

tenderly, as a great animal might
carry a small one in the private
cave of the mouth.

Can't Get Over Her
 

Can't Get Over Her
by Ellen Bass

My nephew is distressed that he's still
in love with the girl who went back to her boyfriend—
the one who's not good enough for her.

When he ran into her again, she had that same bright laugh,
like the shine on an apple, and the wind rose
reaching up into the limbs and fluttering
the leaves in the whole apple tree.

But when she left, it hit him all over.
She was headed for her boyfriend's house, she'd walk
quickly in the brittle March night.
He'd have a fire going. She'd unlace her boots
and offer him her mouth, her lips still cold,
velvet tongue warm in that satin cape.

He didn't tell me all this,
of course, but who hasn't longed
for that girl? that boy? He's mad
at himself that he can't get over her.

He's young and he's got goals, quit
smoking, gave up weekend drunks. Now he tackles
model airplane kits, one small piece at a time.
He wants to learn mastery. Sweet man.
Should we tell him the truth?

That he'll never get over her. Love
is a rock in the surf off the Pacific. Life
batters it. No matter how small it gets
it will always be there—grain of sand
chafing the heart. I still love

the boy who jockeyed cars, expertly
in the lots on New York Avenue,
parking them so close, he had to lift his lithe body
out the window those sultry August afternoons.
He smelled of something musky and rich—distinctive
as redwoods in heat.

I still long for him
like a patriot exiled from the motherland,
a newborn switched in the hospital, raised
in the wrong family. Each year that passes
is one more I miss out on. His children
are not mine. Even their new
step-mother is not me. When she complains

how hard she tries, how little they appreciate it,
I think how much better off he'd be with me.
And when he has grandchildren
they won't be mine either. And when he's dying—
even if I go to him—I'll be little more
than a dumb bouquet, spilling my scent.

We don't get over any of it. The heart
is stubborn and indefatigable. And limitless.
That's how I can turn to my beloved, now,

with the awe the early rabbis must have felt
opening the Torah. And when she pulls me to her,
still, after all these years, I feel like I did
the first time I stood in front of Starry Night.*

I had never known, never imagined
its life beyond the flat, smooth surface
of the textbook. Had never conceived
there could be these thick swirls of paint,
the rough-edged cobalt sky, the deep
spiraling valleys of starlight.

In the river In the gloaming
 

by Rikki Clark

In the river in the gloaming
will your creased hand, skin thin
with age, bruised and brown, reach
for mine? Will I feel the warm throb
at your wrist, draw my hand down
the crevices of your face,
stop at your chin and circle
my finger over a scar? Together
we’ll become soft and round.
You’ll lay your head in my lap,
tell our stories about our red-headed child
and the bearded dog and make me laugh
with it all. At night,
by habit, we’ll breathe in concert.
Your body still smells of raw honey and soap,
and as you collect your last breath,
I’ll whisper in your ear.

Because I am tactful and lewd -Rick Kempa
 

Because I am Tactful and Lewd

In Grandma's basement, let's fuck
on something that doesn't squeak,

'cuz she's not snoring like she'd
snore if she weren't listening.

(Grandpa we won't think about.
Even if we hollered when we

came instead of biting at
the pillow Grandma made, he

wouldn't dismount from his dreams.)
When we don't go to town with them

to eat prime rib, I'll holler until
the horses bolt, and the hawks kick

the fattest chick out of the nest,
and the Brahma bull comes bawling

home, and the greyhounds leave the cats
alone, and the mice spill out of

the loaves of hay, and the wind blows
and blows and blows us all away

The Alchemist
 

by Louise Bogan

I burned my life, that I may find
A passion wholly of the mind,
Thought divorced from eye and bone
Ecstasy come to breath alone.
I broke my life, to seek relief
From the flawed light of love and grief.

With mounting beat the utter fire
Charred existence and desire.
It died low, ceased its sudden thresh.
I had found unmysterious flesh—
Not the mind’s avid substance—still
Passionate beyond the will.

"After A While" ~Veronica Shoftshall

After a while you learn the subtle difference
between holding a hand and chaining a soul
and you learn that love doesn't mean leaning
and company doesn't always mean security.

And you begin to learn that kisses aren't contracts
and presents aren't promises
and you begin to accept
your defeats
with your head up
and your eyes ahead
with the grace of woman,
not the grief of a child

And you learn to build
all your roads on today
because tomorrow's ground
is too uncertain for plans
and futures have a way
of falling down in mid-flight.

After a while you learn
that even sunshine burns
if you get too much
so you plant your own garden
and decorate your own soul
instead of waiting for someone
to bring you flowers.

And you learn
that you really can endure
you really are strong
you really do have worth
and you learn
and you learn
with every goodbye, you learn...



:sparklyheart:

After "After A While" ~Author Unknown

After 'after a while'
You want to hold a hand not to chain a soul but
to enjoy its company,
and you want someone's lips to kiss,
not because you are lonely but because you are
happy, and you want to give presents
and you want to make promises.

After 'after a while'
You begin to accept your defeats like an adult,
but like a child, will want someone to listen
and care,
and you want someone who will build roads with
you today so maybe you can pave the way for your
future together.

After 'after a while'
You want someone's sunshine and warmth,
but also accept the rain and the cold,
and you want to give flowers picked from your
own garden.

And when your garden is picture perfect,
you want it to be more than a picture
even if it means having to be imperfect
because you want someone in it to stay and to
live.

Then you'll see that there is
such a thing as love...
and that you were made to live in someone else's
garden...
and you'll know that there is more to life than
yourself.

And now...
You realize that no matter how tightly you hold,
if you're meant to let go, you can
And then you will understand that love
gives you reasons to understand
even the most complicated situations
And you will grow older believing that just
because you have convictions
doesn't mean you're always right

You will remember lips because of the smiles
that made your day,
the words that touched your soul, not only
because of the sweet kisses

And as you graciously accept defeat and absorb
the meaning of lessons
learned,
You feel that you are finally being the person
you never thought you'd be

So, armed with courage, strength and confidence,
you will face the world
head on...
With or without an army behind you
Because you know your worth and that alone is an
armor

With more heartbreaks you will cry
But after every heartache, you will rise



:sparklyheart:

"And death shall have no dominion"
 

"They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion."

Poetry Dylan Thomas; Music by Cliff Martinez

Me Gustas "Me Gustas Cuando Callas"
 

"Déjame que te hable también con tu silencio
claro como una lámpara, simple como un anillo.
Eres como la noche, callada y constelada..."

Gorgeous y gracias, UofMFan

"No Waving But Drowning"
 

Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.

Poor chap, he always loved larking
And now he's dead
It must have been too cold for him his heart gave way,
They said.

Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.

Stevie Smith

Whisper
 

Whisper
by Nicole Pollifrone


Whisper to me…
whisper your desires…
your passions…
your fears…
whisper your dreams…
softly into my ears.
Tell me how to make you feel…
talk to me about what’s real.

Whisper to me…
as I touch you deep inside…
as I push my way through…
to where your soul may hide.

Whisper to me as we soar…
of sensual ways to unlock your door.
tell me that it’s meant to be…
whisper where to find the key.

My favorite by Pablo Neruda

I am trying to find more information for a friend at the gym on a poet named Manuel Flores who was writing at the turn of the century (19th/20th) in Mexico. My friend studied him in grade school and cannot find a book or any information about him.

Does anyone have his work or know where I might find it? I have not yet found him on the Internet.

Maybe Manuel María Flores?

I wondered about that, Nat. He described a line of poetry particularly in which the male speaker says that the ground shook beneath her feet.

Does that sound familiar?

It appears many things tremble and shake in his poems, and he mentions a woman's feet so often he might have a fetish - but I'm not seeing the sentence. I'm guessing he's your guy, but maybe not.

I Am Much Too Alone in This World, Yet Not Alone
by Rainer Maria Rilke
translated by Annemarie S. Kidder

I am much too alone in this world, yet not alone
enough
to truly consecrate the hour.
I am much too small in this world, yet not small
enough
to be to you just object and thing,
dark and smart.
I want my free will and want it accompanying
the path which leads to action;
and want during times that beg questions,
where something is up,
to be among those in the know,
or else be alone.

I want to mirror your image to its fullest perfection,
never be blind or too old
to uphold your weighty wavering reflection.
I want to unfold.
Nowhere I wish to stay crooked, bent;
for there I would be dishonest, untrue.
I want my conscience to be
true before you;
want to describe myself like a picture I observed
for a long time, one close up,
like a new word I learned and embraced,
like the everday jug,
like my mother's face,
like a ship that carried me along
through the deadliest storm.

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.

W. H. Auden

When one parts from the two... Thank you, FF
 

I'm kinda on a roll... hopefully uphill.
 

“The earth will never be the same again
Rock, water, tree, iron, share this grief
As distant stars participate in the pain.
A candle snuffed, a falling star or leaf,
A dolphin death, O this particular loss
A Heaven-mourned; for if no angel cried
If this small one was tossed away as dross,
The very galaxies would have lied.
How shall we sing our love's song now
In this strange land where all are born to die?
Each tree and leaf and star show how
The universe is part of this one cry,
Every life is noted and is cherished,
and nothing loved is ever lost or perished.”
-Madeleine L'Engle A Ring of Endless Light

Gorgeous. I've never read this of hers. Thank you :-)

The Road Not Taken by Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I-
I took the one less traveled by,
And that has made all the difference.

Burned Forest

~ Nichita Stãnescu

Black snow was falling. The tree line
shone when I turned to see -
I had wondered long and silent,
alone, trailing memory behind me.

And it seemed the stars, fixed as they were,
ground their teeth, a stiffened nexus,
an infernal machine, tolling
the halted hours of consciousness.

Then, a thick silence descends,
and my every gesture
leaves a comet tail in the heavens.

And I hear every glance I cast
as it echoes against
some tree.

Child, what were you seeking there,
with your gangly arms and pointed shoulders
on which the wings were barely dry -
black snow drifting in the evening sky.

A horizon howling, far from view,
darting its tongues and anthracite,
dragged me forever down the mute row,
my body, half naked, sliding from sight.

In distances of smoke the town afire,
blazing beneath the planes, a frigid pyre.
We two, forest, what did we do?
Why did they burn you, forest, in a toga of ash -
and the moon no longer passes over you?

From the book "Bas-Relief with Heroes"
English translation by Thomas Carlson and Vasile Poenaru.


How It Was

~ Czeslaw Milosz

Stalking a deer I wandered deep into the mountains and from there I saw.

Or perhaps it was for some other reason that I rose above the setting sun.

Above the hills of blackwood and a slab of ocean and the steps of a glacier, carmine-colored in the dusk.

I saw absence; the mighty power of counter-fulfillment; the penalty of a promise lost forever.

If, in tepees of plywood, tire shreds, and grimy sheet iron, ancient inhabitants of this land shook their rattles, it was all in vain.

No eagle-creator circled in the air from which the thunderbolt of its glory had been cast out.

Protective spirits hid themselves in subterranean beds of bubbling ore, jolting the surface from time to time so that the fabric of freeways was bursting asunder.

God the Father didn’t walk about any longer tending the new shoots of a cedar, no longer did man hear his rushing spirit.

His son did not know his sonship and turned his eyes away when passing by a neon cross flat as a movie screen showing a striptease.

This time it was really the end of the Old and the New Testament.

No one implored, everyone picked up a nodule of agate or diorite to whisper in loneliness: I cannot live any longer.

Bearded messengers in bead necklaces founded clandestine communes in imperial cities and in ports overseas.

But none of them announced the birth of a child-savior.

Soldiers from expeditions sent to punish nations would go disguised and masked to take part in forbidden rites, not looking for any hope.

They inhaled smoke soothing all memory and, rocking from side to side, shared with each other a word of nameless union.

Carved in black wood the Wheel of Eternal Return stood before the tents of wandering monastic orders.

And those who longed for the Kingdom took refuge like me in the mountains to become the last heirs of a dishonored myth.

"I was satisfied with haiku until I met you..."
 

Changing Genres
by Dean Young

I was satisfied with haiku until I met you,
jar of octopus, cuckoo's cry, 5-7-5,
but now I want a Russian novel,
a 50-page description of you sleeping,
another 75 of what you think staring out
a window. I don't care about the plot
although I suppose there will have to be one,
the usual separation of the lovers, turbulent
seas, danger of decommission in spite
of constant war, time in gulps and glitches
passing, squibs of threnody, a fallen nest,
speckled eggs somehow uncrushed, the sled
outracing the wolves on the steppes, the huge
glittering ball where all that matters
is a kiss at the end of a dark hall.
At dawn the officers ride back to the garrison,
one without a glove, the entire last chapter
about a necklace that couldn't be worn
inherited by a great-niece
along with the love letters bound in silk.