Spooks/MI-5 is one of my most favorite shows EVER.
I'm currently waiting extremely impatiently for Vol: 8 to be sent from Netflix.

BUT, I'm very sorry to tell you this but ABC bought the rights to adapt it. :|
I'm hoping it comes to nothing, but I fear it will.

Kind of like how the US got a show called "Cold Case Files" (which I've never seen) a year after we started airing "Cold Squad" (which I love)?

Yeah, that's kinda annoying.

And we had This Hour Has 22 Minutes 4 years before the US had The Daily Show.

I've heard mixed reviews of the American remake of 'Let The Right One In'.

My friends from outside of the country hated it and hated that someone remade it so soon. My friends that live in the US, who have seen both, thought the remake was "ok".

I thought it was a very well made film (the original) but too bloody and gory for me. The whole first hour creeped me out, a lot. :|

I love Being Human....love it... oh wait I said that. I also really enjoy the American/Canadian version. I couldn't wait to hate it. Then I watched an interview with the actors before I watched the show. None of them had watched the original version of the show, as a way of not influencing the characters they were playing. I was then able to put my prejudice aside and give it a try. That said... while I would watch the BBC version over the Filmed in Montreal version, I really like the new one. It is fun, has light qualities and there is more discussion of the characters motivation.

In my "tv watching head" I don't compare the two. They are two very different shows, that just happen to have a similar story line.

"Let the right one in" - I just could not bring myself to watch the American version. I felt it would sully the flavour of the original.

:hanging:

I always liked "Who's Line is it Anway?" :)

I loved Wire in the Blood and Waking the Dead too. Have you seen the Inspector Frost mysteries. Not as dark or intense as the others but still great. I loved Cracker, too. I think the US tried to do a Cracker version but it didn't make it.

If you have Netflix I also recommend a Canadian show called Intelligence. It only ran for two seasons but some of the best TV I have seen in a long time.

Melissa

Nobody has had the audacity to try to remake AbFab. Thankfully.
And French & Saunders seem to have the integrity not to sell out to the highest bidder.

I miss Eastenders.

My Best Femmes (& I) do our best Patsy, Edie & Bubbles impressions, upon occasion, and its really not made for network television! :)

There probably is some site I can stream 'Eastenders' from, I've been too lazy to find it. I have so many sources for "entertainment" - netflix, hulu, comcast on demand - that I can't keep up.

So I saw the Americanized version of Dragon Tattoo and I have to say... it was honestly far better than I expected. I certainly still prefer the Swedish version but they didn't really "Americanize" this. They kept it based in Sweden, they still maintain a lot of the original storyline and, I believe, had more than the original mini-series.

I was particularly impressed with the actress who played Lisbeth (Rooney Mara) as she came across very well as the character. So I take it back on this one.

Not a remake, but because of one of your chaps, there will be years of House re-running on U.S. television. No apologies for anything we've done after that. You have to pay. *clearly not a fan of House though i like Hugh Laurie*

Ok, this is something I'm going to complain about. It seems like lately American television/film industry has been butchering a lot European TV shows and films as well as films/TV shows from other countries. Before Hollywood decided to butcher Girl with the Dragon Tattoo, there was also another American remake of another Swedish book/film called Låt den rätte komma in (Let Me In was the horrible remake). The film is a vampire film but not of the stereotypical variety. It deals with themes of bullying as well as the relationship between a boy and a vampire who's gender is a bit ambiguous. The vampire is presumed to be female in the film, but actually because the director wanted the vampire's voice to be more androgynous they did not use the actress' real voice in the film. Basically she acted and spoke the lines, but another person's voice was dubbed over because the director wanted a more gender ambiguous voice. Overall pretty awesome film.

Of course Oskar and Eli were replaced by Owen and Abby from New Mexico, gender ambiguity and other themes pretty much obliterated from the remake. Which seems to be a pattern, considering I've heard that Girl With the Dragon Tattoo remake hasn't taken on the strong themes of violence and vengeance of the victim on the rapist that the original novel intended.

Kind of same with the American remake of Prime Suspect, where it feel like issues of sexism and other issues of oppression are a bit watered down when compared to the original. And why does it seem US TV shows are unable to make films/TV shows about strong women/feminist values without sexualising female protagonists to silly degrees.

I don't see why American audiences can't just watch non-American films and TV shows the way others around the world watch films/TV shows not from their own countries. It's like anything an American audience "might like" Hollywood needs to remake and, consequently, water down. It looks like Hollywood/American television has just been running out of ideas the last ten years, and so remakes shit or defaults on stupid comedies or "reality" shows.

In continental Europe/Scandinavia foreign films are shown in major movie theatres with the option of subtitles or in original language. US should start doing the same, instead of remaking everything.

I will never ever ever ever forgive the BBC if they turn Downton Abbey over to us Americans to remake. I am a HUGE British film fan and have not liked any of the US remakes.


http://cdn-3.nflximg.com/en_us/boxsh...s/70213223.jpg

I just read that NBC has bought the rights to "Bad Girls"

http://www.afterellen.com/tv/nbc-wil...tory-ever-told

"Bad Girls" was never high art, not by a long stretch, but like a lot of British soap operas it had a delightful tongue-in-cheek salaciousness that allowed the viewer to relish the over-the-top aspects of the genre. There was a self-effacing irony amidst the high drama. American producers don't do that well (understatement).