Your Favorite Poems

[kittygrrl]

there is a place in the heart that
will never be filled

a space

and even during the
best moments
and
the greatest times
times

we will know it

we will know it
more than
ever

there is a place in the heart that
will never be filled
and

we will wait
and
wait

in that space.”

[Fancy]

"A Little While, A Little While..." - Poem by Emily Jane Brontë


A little while, a little while,
The weary task is put away,
And I can sing and I can smile,
Alike, while I have holiday.

Why wilt thou go, my harassed heart,
What thought, what scene invites thee now?
What spot, or near or far,
Has rest for thee, my weary brow?

There is a spot, mid barren hills,
Where winter howls, and driving rain;
But if the dreary tempest chills,
There is a light that warms again.

The house is old, the trees are bare,
Moonless above bends twilight's dome;
But what on earth is half so dear,
So longed for, as the hearth of home?

The mute bird sitting on the stone,
The dank moss dripping from the wall,
The thorn-trees gaunt, the walks o'ergrown,
I love them, how I love them all!

Still, as I mused, the naked room,
The alien firelight died away,
And from the midst of cheerless gloom
I passed to bright unclouded day.

A little and a lone green lane
That opened on a common wide;
A distant, dreamy, dim blue chain
Of mountains circling every side;

A heaven so clear, an earth so calm,
So sweet, so soft, so hushed an air;
And, deepening still the dream-like charm,
Wild moor-sheep feeding everywhere.

That was the scene, I knew it well;
I knew the turfy pathway's sweep
That, winding o'er each billowy swell,
Marked out the tracks of wandering sheep.

Could I have lingered but an hour,
It well had paid a week of toil;
But Truth has banished Fancy's power:
Restraint and heavy task recoil.

Even as I stood with raptured eye,
Absorbed in bliss so deep and dear,
My hour of rest had fleeted by,
And back came labour, bondage, care.

Emily Jane Brontë

[Stone-Butch]

I have to BUMP these beautiful words on and on and on.

[Fancy]

Ella Mason And Her Eleven Cats
Old Ella Mason keeps cats, eleven at last count,
In her ramshackle house off Somerset Terrace;
People make queries
On seeing our neighbor's cat-haunt,
Saying: ‘Something's addled in a woman who accommodates
That many cats.’

Rum and red-faced as a water-melon, her voice
Long gone to wheeze and seed, Ella Mason
For no good reason
Plays hostess to Tabby, Tom and increase,
With cream and chicken-gut feasting the palates
Of finical cats.

Village stories go that in olden days
Ella flounced about, minx-thin and haughty,
A fashionable beauty,
Slaying the dandies with her emerald eyes;
Now, run to fat, she's a spinster whose door shuts
On all but cats.

Once we children sneaked over to spy Miss Mason
Napping in her kitchen paved with saucers.
On antimacassars
Table-top, cupboard shelf, cats lounged brazen,
One gruff-timbred purr rolling from furred throats:
Such stentorian cats!

With poke and giggle, ready to skedaddle,
We peered agog through the cobwebbed door
Straight into yellow glare
Of guardian cats crouched round their idol,
While Ella drowsed whiskered with sleek face, sly wits:
Sphinx-queen of cats.

‘Look! there she goes, Cat-Lady Mason!’
We snickered as she shambled down Somerset Terrace
To market for her dearies,
More mammoth and blowsy with every season;
‘Miss Ella's got loony from keeping in cahoots
With eleven cats.’

But now turned kinder with time, we mark Miss Mason
Blinking green-eyed and solitary
At girls who marry—
Demure ones, lithe ones, needing no lesson
That vain jades sulk single down bridal nights,
Accurst as wild-cats.

Sylvia Plath

[Fancy]

The Cry
Paisley Rekdal

A man can cry, all night, your back
shaking against me as your mother
sleeps, hooked to the drip
to clear her kidneys from their muck
of sleeping pills. Each one white
as the snapper’s belly I once watched a man
gut by the ice bins in his truck, its last
bubbling grunt cleaved in two
with a knife. The way my uncle’s rabbit
growled in its cage, screamed
so like a child that when I woke the night
a fox chewed through the wires
to reach it, I thought it was my own voice
frozen in the yard. And then the fox,
trapped later by a neighbor, who thrashed
and barked, as did the crows
that came for its eyes: the sound
of one animal’s pain setting off a chain
in so many others, until each cry dissolves
into the next grown louder.
Even if I were blind
I would know night by the noise it made:
our groaning bed, the mewling
staircase, drapes that scrape
against glass panes behind which
stars rise, blue and silent.
But not even the stars
are silent: their pale waves
echo through space, the way my father’s
disappointment sags at my cheek,
and his brother’s anger
whitens his temple. And these
are your mother’s shoulders shaking
in my arms tonight, her thin breath
that drags at our window
where coyotes cry: one calling to the next
calling to the next, their tender throats
tipped back to the sky.

[Fancy]

O Captain! My Captain!
BY WALT WHITMAN


O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.

[Glenn]

Herr God, Herr Lucifer
Beware.
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.

Sylvia Plath, "Lady Lazarus," 1965

[Fancy]

On this day in 1862, Emily Dickinson's "Safe in Their Alabaster Chambers" was published. This was the second of only a handful of poems published in Dickinson's lifetime, all of them anonymously and, most think, without her knowledge. Six weeks later she sent her famous letter to the critic Thomas Wentworth Higginson: "Are you too deeply occupied to say if my Verse is alive?"


"Safe in their Alabaster Chambers" (124) by Emily Dickinson

Safe in their Alabaster Chambers -
Untouched by Morning -
and untouched by noon -
Sleep the meek members of the Resurrection,
Rafter of Satin and Roof of Stone -

Grand go the Years,
In the Crescent above them -
Worlds scoop their Arcs -
and Firmaments - row -
Diadems - drop -
And Doges surrender -
Soundless as Dots,
On a Disk of Snow.

[FireSignFemme]

BY E. E. CUMMINGS
i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart(i carry it in my heart)

[easygoingfemme]

By Oriah © Mountain Dreaming,
The Invitation by Oriah

It doesn’t interest me
what you do for a living.
I want to know
what you ache for
and if you dare to dream
of meeting your heart’s longing.

It doesn’t interest me
how old you are.
I want to know
if you will risk
looking like a fool
for love
for your dream
for the adventure of being alive.
It doesn’t interest me
what planets are
squaring your moon...
I want to know
if you have touched
the centre of your own sorrow
if you have been opened
by life’s betrayals
or have become shrivelled and closed
from fear of further pain.
I want to know
if you can sit with pain
mine or your own
without moving to hide it
or fade it
or fix it.
I want to know
if you can be with joy
mine or your own
if you can dance with wildness
and let the ecstasy fill you
to the tips of your fingers and toes
without cautioning us
to be careful
to be realistic
to remember the limitations
of being human.
It doesn’t interest me
if the story you are telling me
is true.
I want to know if you can
disappoint another
to be true to yourself.
If you can bear
the accusation of betrayal
and not betray your own soul.
If you can be faithless
and therefore trustworthy.
I want to know if you can see Beauty
even when it is not pretty
every day.
And if you can source your own life
from its presence.
I want to know
if you can live with failure
yours and mine
and still stand at the edge of the lake
and shout to the silver of the full moon,
“Yes.”
It doesn’t interest me
to know where you live
or how much money you have.
I want to know if you can get up
after the night of grief and despair
weary and bruised to the bone
and do what needs to be done
to feed the children.
It doesn’t interest me
who you know
or how you came to be here.
I want to know if you will stand
in the centre of the fire
with me
and not shrink back.
It doesn’t interest me
where or what or with whom
you have studied.
I want to know
what sustains you
from the inside
when all else falls away.
I want to know
if you can be alone
with yourself
and if you truly like
the company you keep
in the empty moments.

[Stone-Butch]

The Monkey

By Nancy Campbell




I SAW you hunched and shivering on the stones,
The bleak wind piercing to your fragile bones,
Your shabby scarlet all inadequate:
A little ape that had such human eyes
They seemed to hide behind their miseries— 5
Their dumb and hopeless bowing down to fate—
Some puzzled wonder. Was your monkey soul
Sickening with memories of gorgeous days,
Of tropic playfellows and forest ways,
Where, agile, you could swing from bole to bole 10
In an enchanted twilight with great flowers
For stars; or on a bough the long night hours
Sit out in rows, and chatter at the moon?
Shuffling you went, your tiny chilly hand
Outstretched for what you did not understand; 15
Your puckered mournful face begging a boon
That but enslaved you more. They who passed by
Saw nothing sorrowful; gave laugh or stare,
Unheeding that the little antic there
Played in the gutter such a tragedy. 20

[Stone-Butch]

The Donkey

By G. K. Chesterton

When fishes flew and forests walked

And figs grew upon thorn,

Some moment when the moon was blood

Then surely I was born.


With monstrous head and sickening cry

And ears like errant wings,

The devil’s walking parody

On all four-footed things.


The tattered outlaw of the earth,

Of ancient crooked will;

Starve, scourge, deride me: I am dumb,

I keep my secret still.


Fools! For I also had my hour;

One far fierce hour and sweet:

There was a shout about my ears,

And palms before my feet.

[gotoseagrl]

The Secret of the Sea
Henry Wadsworth Longfellow

Ah! what pleasant visions haunt me
As I gaze upon the sea!
All the old romantic legends,
All my dreams, come back to me.

Sails of silk and ropes of sandal,
Such as gleam in ancient lore;
And the singing of the sailors,
And the answer from the shore!

Most of all, the Spanish ballad
Haunts me oft, and tarries long,
Of the noble Count Arnaldos
And the sailor's mystic song.

Like the long waves on a sea-beach,
Where the sand as silver shines,
With a soft, monotonous cadence,
Flow its unrhymed lyric lines;--

Telling how the Count Arnaldos,
With his hawk upon his hand,
Saw a fair and stately galley,
Steering onward to the land;--

How he heard the ancient helmsman
Chant a song so wild and clear,
That the sailing sea-bird slowly
Poised upon the mast to hear,

Till his soul was full of longing,
And he cried, with impulse strong,--
"Helmsman! for the love of heaven,
Teach me, too, that wondrous song!"

"Wouldst thou,"--so the helmsman answered,
"Learn the secret of the sea?
Only those who brave its dangers
Comprehend its mystery!"

In each sail that skims the horizon,
In each landward-blowing breeze,
I behold that stately galley,
Hear those mournful melodies;

Till my soul is full of longing
For the secret of the sea,
And the heart of the great ocean
Sends a thrilling pulse through me.

[BullDog]

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of every day's
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints,—I love thee with the breath,
Smiles, tears, of all my life!—and, if God choose,
I shall but love thee better after death.

[BullDog]

I seem to have loved you in numberless forms, numberless times...
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.

Whenever I hear old chronicles of love, it's age old pain,
It's ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star, piercing the darkness of time.
You become an image of what is remembered forever.

You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played along side millions of lovers,
Shared in the same shy sweetness of meeting,
the distressful tears of farewell,
Old love but in shapes that renew and renew forever.

Today it is heaped at your feet, it has found its end in you
The love of all man's days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours -
And the songs of every poet past and forever.

[gotoseagrl]

Two Lovers And A Beachcomber By The Real Sea
by Sylvia Plath

Cold and final, the imagination
Shuts down its fabled summer house;
Blue views are boarded up; our sweet vacation
Dwindles in the hour-glass.

Thoughts that found a maze of mermaid hair
Tangling in the tide's green fall
Now fold their wings like bats and disappear
Into the attic of the skull.

We are not what we might be; what we are
Outlaws all extrapolation
Beyond the interval of now and here:
White whales are gone with the white ocean.

A lone beachcomber squats among the wrack
Of kaleidoscope shells
Probing fractured Venus with a stick
Under a tent of taunting gulls.

No sea-change decks the sunken shank of bone
That chucks in backtrack of the wave;
Though the mind like an oyster labors on and on,
A grain of sand is all we have.

Water will run by; the actual sun
Will scrupulously rise and set;
No little man lives in the exacting moon
And that is that, is that, is that.

[homoe]

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

[gotoseagrl]

I do not love you except because I love you;
I go from loving to not loving you,
From waiting to not waiting for you
My heart moves from cold to fire.

I love you only because it's you the one I love;
I hate you deeply, and hating you
Bend to you, and the measure of my changing love for you
Is that I do not see you but love you blindly.

Maybe January light will consume
My heart with its cruel
Ray, stealing my key to true calm.

In this part of the story I am the one who
Dies, the only one, and I will die of love because I love you,
Because I love you, Love, in fire and blood.
Pablo Neruda

Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don't leave me for a second, my dearest,

because in that moment you'll have gone so far
I'll wander mazily over all the earth, asking,
Will you come back? Will you leave me here, dying?

Pablo Neruda

[Talon]

12
January, 1983:

with tremulous cords, with my
own latest highest evolvement of a life of devotion to
beauty, with a comprehending glance into the deep
of an unfilled well. I mounted the circumference of
his disc.


~Art Garfunkel

[Kätzchen]