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Poetry Please start one thread for your own poetry and just add to it! |
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Life Is What We Make It
by Edgar A. Guest Life is a jest; Take the delight of it. Laughter is best; Sing through the night of it. Swiftly the tear And the hurt and the ache of it Find us down here; Life must be what we make of it. Life is a song; Dance to the thrill of it. Grief's hours are long, And cold is the chill of it. Joy is man's need; Let us smile for the sake of it. This be our creed: Life must be what we make of it. Life is a soul; The virtue and vice of it, Strife for a goal, And man's strength is the price of it. Your life and mine, The bare bread and the cake of it End in this line: Life must be what we make of it.
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When despair for the world grows in me
and I wake in the night at the least sound in fear of what my life and my children's lives may be, I go and lie down where the wood drake rests in his beauty on the water, and the great heron feeds. I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free. - Wendell Berry
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“Party Dress for a First Born”
By Rita Dove Headless girl so ill at ease on the bed, I know, if you could, what you’re thinking of: nothing. I used to think that, too, whenever I sat down to a full plate or unwittingly stepped on an ant. When I ran to my mother, waiting radiant as a cornstalk at the edge of the field, nothing else mattered: the world stood still. Tonight men stride like elegant scissors across the lawn to the women arrayed there, petals waiting to loosen. When I step out, disguised in your blushing skin, they will nudge each other to get a peek and I will smile, all the while wishing them dead. Mother’s calling. Stand up: it will be our secret.
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--Riki Anne Wilchins Hold on to the lessons, let go of the pain. --Leslie Feinberg |
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Someone let me know that this poem seemed disturbing to her; valuing this person’s thoughts and assuming that a few others might feel similarly, I decided to elaborate a bit about the piece.
“Party Dress for a First Born” comes from Rita Dove’s Mother Love, a collection of poetry that focuses on the relationship between mothers and daughters. The poems, all sonnets, are written from the perspective of the mythological figures Demeter and Persephone. In Greek mythology, Persephone (the daughter) was abducted by Hades (from the underworld); Demeter (the mother) mourned for Persephone so much that Hades allows Persephone to periodically visit her mother—heralding the changing of the seasons. “Party Dress for a First Born” appears near the beginning of the myth, when Persephone is encountering adolescence—and striving to create a separate identity from her mother ("the world stood still" when the mother called--but now, the daughter is keeping "secret" desires). Whether or not a reader knows or doesn’t know that the poem is based on the Persephone/Demeter myth, I figured that the sense of adolescence—as both an erotic and violent stage—would surface; plus, I think the sounds and rhythm are pretty awesome within the poem… I hope no one was too ‘put off’ by the poem :-) Link/Scholarly source: Pat Righelato’s Understanding Rita Dove Quote:
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#6 |
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"The Last Time" by Marie Howe
(from What the Living Do, focusing on her brother's struggle with AIDS) The last time we had dinner together in a restraurant with white table clothes, he leaned forward and took my two hands in his and said, I'm going to die soon. I want you to know that. And I said, I think I do know. And he said, what surprises me is that you don't. And I said, I do. And he said, What? And I said, Know that you're going to die. And he said, No, I mean know that you are.
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You can’t change that system by just getting your own rights, tinkering with the engine and leaving. You have to take on the whole machine.
--Riki Anne Wilchins Hold on to the lessons, let go of the pain. --Leslie Feinberg |
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#7 |
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Variations on the Word Love
This is a word we use to plug holes with. It's the right size for those warm blanks in speech, for those red heart- shaped vacancies on the page that look nothing like real hearts. Add lace and you can sell it. We insert it also in the one empty space on the printed form that comes with no instructions. There are whole magazines with not much in them but the word love, you can rub it all over your body and you can cook with it too. How do we know it isn't what goes on at the cool debaucheries of slugs under damp pieces of cardboard? As for the weed- seedlings nosing their tough snouts up among the lettuces, they shout it. Love! Love! sing the soldiers, raising their glittering knives in salute. Then there's the two of us. This word is far too short for us, it has only four letters, too sparse to fill those deep bare vacuums between the stars that press on us with their deafness. It's not love we don't wish to fall into, but that fear. this word is not enough but it will have to do. It's a single vowel in this metallic silence, a mouth that says O again and again in wonder and pain, a breath, a finger grip on a cliffside. You can hold on or let go. By Margaret Atwood |
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![]() Thanks for sharing Maria Howe's poem (The Last Time). PS/ I like your signature line quote, too. Quote:
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You Who Never Arrived
Rainer Maria Rilke You who never arrived in my arms, Beloved, who were lost from the start, I don't even know what songs would please you. I have given up trying to recognize you in the surging wave of the next moment. All the immense images in me -- the far-off, deeply-felt landscape, cities, towers, and bridges, and unsuspected turns in the path, and those powerful lands that were once pulsing with the life of the gods-- all rise within me to mean you, who forever elude me. You, Beloved, who are all the gardens I have ever gazed at, longing. An open window in a country house-- , and you almost stepped out, pensive, to meet me. Streets that I chanced upon,-- you had just walked down them and vanished. And sometimes, in a shop, the mirrors were still dizzy with your presence and, startled, gave back my too-sudden image. Who knows? Perhaps the same bird echoed through both of us yesterday, separate, in the evening... |
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Drunk as Drunk - Neruda
Drunk as drunk on turpentine From your open kisses, Your wet body wedged Between my wet body and the strake Of our boat that is made of flowers, Feasted, we guide it - our fingers Like tallows adorned with yellow metal - Over the sky's hot rim, The day's last breath in our sails. Pinned by the sun between solstice And equinox, drowsy and tangled together We drifted for months and woke With the bitter taste of land on our lips, Eyelids all sticky, and we longed for lime And the sound of a rope Lowering a bucket down its well. Then, We came by night to the Fortunate Isles, And lay like fish Under the net of our kisses. |
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Then sing, ye Birds, sing, sing a joyous song!
And let the young Lambs bound As to the tabor's sound! We in thought will join your throng, Ye that pipe and ye that play, Ye that through your hearts today Feel the gladness of the May! _______________________________________ What though the radiance which was once so bright Be now for ever taken from my sight, Though nothing can bring back the hour Of splendour in the grass, of glory in the flower; We will grieve not, rather find Strength in what remains behind; ________________________________________ In the primal sympathy Which having been must ever be; In the soothing thoughts that spring Out of human suffering; In the faith that looks through death, In years that bring the philosophic mind. —William Wordsworth Ode: Intimations of Immortality from Recollections of Early Childhood |
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