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Poetry Please start one thread for your own poetry and just add to it! |
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#1 |
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Where the Sidewalk Ends
by Shel Silverstein There is a place where the sidewalk ends And before the street begins, And there the grass grows soft and white, And there the sun burns crimson bright, And there the moon-bird rests from his flight To cool in the peppermint wind. Let us leave this place where the smoke blows black And the dark street winds and bends. Past the pits where the asphalt flowers grow We shall walk with a walk that is measured and slow, And watch where the chalk-white arrows go To the place where the sidewalk ends. Yes we'll walk with a walk that is measured and slow, And we'll go where the chalk-white arrows go, For the children, they mark, and the children, they know The place where the sidewalk ends. |
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#2 |
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Sonnet 14 - If thou must love me, let it be for nought
by Elizabeth Barrett Browning If thou must love me, let it be for nought Except for love's sake only. Do not say 'I love her for her smile—her look—her way Of speaking gently,—for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day'— For these things in themselves, Beloved, may Be changed, or change for thee,—and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity's wiping my cheeks dry,— A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby! But love me for love's sake, that evermore Thou mayst love on, through love's eternity. |
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#3 |
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Black Pine Tree in an Orange Light
Tell me what you see in it: The pine tree like a Rorschach-blot black against the orange light: Plant an orange pumpkin patch which at twelve will quaintly hatch nine black mice with ebon coach, or walk into the orange and make a devil's cataract of black obscure god's eye with corkscrew fleck; put orange mistress half in sun, half in shade, until her skin tattoos black leaves on tangerine. Read black magic or holy book or lyric of love in the orange and black till dark is conquered by orange cock, but more pragmatic than all this, say how crafty the painter was to make orange and black ambiguous. |
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#4 |
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![]() Ode To Enchanted Light Under the trees light has dropped from the top of the sky, light like a green latticework of branches, shining on every leaf, drifting down like clean white sand. A cicada sends its sawing song high into the empty air. The world is a glass overflowing with water. ![]() |
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#5 |
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Opal
You are ice and fire, The touch of you burns my hands like snow. You are cold and flame. You are the crimson of amaryllis, The silver of moon-touched magnolias. When I am with you, My heart is a frozen pond Gleaming with agitated torches. |
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#6 |
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"Warming Her Pearls" by Carol Ann Duffy
for Judith Radstone Next to my own skin, her pearls. My mistress bids me wear them, warm them, until evening when I´ll brush her hair. At six, I place them round her cool, white throat. All day I think of her, resting in the Yellow Room, contemplating silk or taffeta, which gown tonight? She fans herself whilst I work willingly, my slow heat entering each pearl. Slack on my neck, her rope. She´s beautiful. I dream about her in my attic bed; picture her dancing with tall men, puzzled by my faint, persistent scent beneath her French perfume, her milky stones. I dust her shoulders with a rabbit´s foot, watch the soft blush seep through her skin like an indolent sigh. In her looking-glass my red lips part as though I want to speak. Full moon. Her carriage brings her home. I see her every movement in my head.... Undressing, taking off her jewels, her slim hand reaching for the case, slipping naked into bed, the way she always does.... And I lie here awake, knowing the pearls are cooling even now in the room where my mistress sleeps. All night I feel their absence and I burn.
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You can’t change that system by just getting your own rights, tinkering with the engine and leaving. You have to take on the whole machine.
--Riki Anne Wilchins Hold on to the lessons, let go of the pain. --Leslie Feinberg |
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#7 |
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The Invitation by Oriah
It doesn’t interest me what you do for a living. I want to know what you ache for and if you dare to dream of meeting your heart’s longing. It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love for your dream for the adventure of being alive. It doesn’t interest me what planets are squaring your moon... I want to know if you have touched the centre of your own sorrow if you have been opened by life’s betrayals or have become shrivelled and closed from fear of further pain. I want to know if you can sit with pain mine or your own without moving to hide it or fade it or fix it. I want to know if you can be with joy mine or your own if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful to be realistic to remember the limitations of being human. It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself. If you can bear the accusation of betrayal and not betray your own soul. If you can be faithless and therefore trustworthy. I want to know if you can see Beauty even when it is not pretty every day. And if you can source your own life from its presence. I want to know if you can live with failure yours and mine and still stand at the edge of the lake and shout to the silver of the full moon, “Yes.” It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up after the night of grief and despair weary and bruised to the bone and do what needs to be done to feed the children. It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the centre of the fire with me and not shrink back. It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you from the inside when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments. By Oriah © Mountain Dreaming, from the book The Invitation published by HarperONE, San Francisco, 1999 All rights reserved |
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