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#68741 |
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#68742 |
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#68743 |
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#68744 |
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#68745 |
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#68746 |
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#68747 |
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![]() Taken from youtube: Marian McPartland passed away on August 20, 2013. She was 95. In this article by Nate Chinen in The New York Times, Norah Jones remembers appearing on Piano Jazz with Marian McPartland.Ms. Jones, 34, first appeared on “Piano Jazz” shortly after releasing her debut album, “Come Away With Me” (Blue Note), which earned eight Grammy Awards. “It made me happy because I had listened to Marian for so long,” she said. “My mom and her ended up becoming friends, writing letters for the last 10 years…” “I was actually on her show twice. I like how she would play one song herself, one of the artist’s songs. She did that with me; she played “Don’t Know Why” and completely reharmonized it. And she’ll let you play something, and then you get to play together.” “I was really nervous, but I wasn’t nervous about her not being cool. She was just the most sweet, welcoming, motherly sweetheart: polite, very British, but very warm. I remember her smile after we would finish a tune. You can kind of hear it on the radio. She says something like “Uh! That was marvelous,” and you could see it on her face. It was nice, after hearing those Marianisms on the radio, to be the recipient of one.” 00:00 Introduction 1:21 01:20 September In the Rain 3:13 (Dubin/Warren) 04:33 Dialogue 3:55 08:27 In The Dark 4:31 (Little/Green) 12:58 Dialogue 2:04 15:01 Comes Love 3:49 (Brown/Stept/Tobias) 18:49 Dialogue 3:20 22:08 For All We Know 4:15 (Doots/Lewis) 26:23 Dialogue 2:31 28:54 I Can’t Get Started 4:48 (V Duke/I Gershwin) 33:40 Dialogue (1:37) 35:17 Don’t Know Why 3:43 (Jesse Harris) 38:59 Dialogue 2:01 41:00 Peace 3:58 (Silver) 44:57 Dialogue 0:42 45:39 The Nearness of You 5:05 (Carmichael) 50:42 Dialogue 1.57 52:38 Beautiful Friendship 3:15 (Kahn/Styne) 55:53 Conclusion 1:57 Norah Jones - piano, vocals Marian McPartland - piano |
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#68748 |
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#68749 |
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Listening to Nana Muscouri in English
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#68750 |
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#68751 |
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#68752 |
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#68753 |
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#68754 |
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#68758 |
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#68759 |
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#68760 |
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![]() From AllMusic.com: The collaborations between Sonny Rollins and any given trumpet player were few and far between, but they did include such notables as Miles Davis, Don Cherry, Clifford Brown, and in this case, his first tandem partnership with Kenny Dorham. At the time, both of them were also members of the Max Roach Quintet, and thus quite familiar with each other's strengths. Add to the mix drummer Art Blakey, bassist Percy Heath, and emerging modern jazz pianist Elmo Hope, and this shapes up to be one of the more potent combos of 1954. It's pretty straightforward music featuring Rollins, with little involvement from Dorham except solos. The fast title track, based on the changes of "Donna Lee" or "Indiana," has the briefest melody line before Rollins leaps into eighth-note madness, while the very fleet "Swingin' for Bumsy" does the same, repeating the slimmest phrase three times. An all-time classic, "Solid" does have the two horns together, playing an established, bluesy unison thought, a beauty in economy, while the obligatory ballad "Silk 'n' Satin" is all Rollins wrapped in a fabric of sheen and softness. There's one track that features an entirely different band for some reason, as "More Than You Know" encompasses a full 11 minutes of this program, which in total is just shy of 32 minutes. This unmistakable melody is enveloped by Rollins and Thelonious Monk, with bassist Tommy Potter and drummer Art Taylor in support for a tune that is unlike the others in style and texture. Moving Out contains some fine music, especially for the time period. Tracks Moving Out Swingin' for Bumsy Silk 'n' Satin Solid More Than You Know |
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jazz, listening, music |
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