Your Favorite Poems

[CherryWine]

Honey and Salt
by Carl Sandburg

A bag of tricks—is it?
And a game smoothies play?
If you’re good with a deck of cards
or rolling the bones—that helps?
If you can tell jokes and be a chum
and make an impression—that helps?
When boy meets girl or girl meets boy—
what helps?
They all help: be cozy but not too cozy:
be shy, bashful, mysterious, yet only so-so:
then forget everything you ever heard about love
for it’s a summer tan and a winter windburn
and it comes as weather comes and you can’t change it:
it comes like your face came to you, like your legs came
and the way you walk, talk, hold your head and hands—
and nothing can be done about it—you wait and pray.
Is there any way of measuring love?
Yes but not till long afterward
when the beat of your heart has gone
many miles, far into the big numbers.
Is the key to love in passion, knowledge, affection?
All three—along with moonlight, roses, groceries,
givings and forgivings, gettings and forgettings,
keepsakes and room rent,
pearls of memory along with ham and eggs.
Can love be locked away and kept hid?
Yes and it gathers dust and mildew
and shrivels itself in shadows
unless it learns the sun can help,
snow, rain, storms can help—
birds in their one-room family nests
shaken by winds cruel and crazy—
they can all help:
lock not away your love nor keep it hid.
How comes the first sign of love?
In a chill, in a personal sweat,
in a you-and-me, us, us two,
in a couple of answers,
an amethyst haze on the horizon,
two dance programs criss-crossed,
jackknifed initials interwoven,
five fresh violets lost in sea salt,
birds flying at single big moments
in and out a thousand windows,
a horse, two horses, many horses,
a silver ring, a brass cry,
a golden gong going ong ong ong-ng-ng,
pink doors closing one by one
to sunset nightsongs along the west,
shafts and handles of stars,
folds of moonmist curtains,
winding and unwinding wisps of fogmist.

How long does love last?
As long as glass bubbles handled with care
or two hot-house orchids in a blizzard
or one solid immovable steel anvil
tempered in sure inexorable welding—
or again love might last as
six snowflakes, six hexagonal snowflakes,
six floating hexagonal flakes of snow
or the oaths between hydrogen and oxygen
in one cup of spring water
or the eyes of bucks and does
or two wishes riding on the back of a
morning wind in winter
or one corner of an ancient tabernacle
held sacred for personal devotions
or dust yes dust in a little solemn heap
played on by changing winds.
There are sanctuaries holding honey and salt.
There are those who spill and spend.
There are those who search and save.
And love may be a quest with silence and content.
Can you buy love?
Sure every day with money, clothes, candy,
with promises, flowers, big-talk,
with laughter, sweet-talk, lies,
every day men and women buy love
and take it away and things happen
and they study about it
and the longer they look at it
the more it isn’t love they bought at all:
bought love is a guaranteed imitation.

Can you sell love?
Yes you can sell it and take the price
and think it over
and look again at the price
and cry and cry to yourself
and wonder who was selling what and why.
Evensong lights floating black night water,
a lagoon of stars washed in velvet shadows,
a great storm cry from white sea-horses—
these moments cost beyond all prices.

Bidden or unbidden? how comes love?
Both bidden and unbidden, a sneak and a shadow,
a dawn in a doorway throwing a dazzle
or a sash of light in a blue fog,
a slow blinking of two red lanterns in river mist
or a deep smoke winding one hump of a mountain
and the smoke becomes a smoke known to your own
twisted individual garments:
the winding of it gets into your walk, your hands,
your face and eyes.

[gotoseagrl]

You come between me & the night.
Closer than sleep you lie with me
You are the air, you are the light,
You are my hearing, you my sight,
And you are all I hear & see.

Edith Wharton

[BullDog]

silence feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;

wholly to be a fool
while Spring is in the world

my blood approves,
and kisses are a better fate
than wisdom
lady I swear by all flowers. Don't cry
-the best gesture of my brain is less than
your eyelids' flutter which says

we are for each other: then
laugh, leaning back in my arms
for life's not a paragraph

And death I think is no parenthesis

-e.e. cummings

[Fancy]

My eyes already touch the sunny hill,

going far ahead of the road I have begun.

So we are grasped by what we cannot grasp;

It has its inner light even from a distance-

And changes us, even if we do not reach it,

into something else, which hardly sensing it,

we already are;

A gesture waves us on, answering our own

wave…

but what we feel is the wind in our faces.

— Rainer Marie Rilke

[kittygrrl]

there is a place in the heart that
will never be filled

a space

and even during the
best moments
and
the greatest times
times

we will know it

we will know it
more than
ever

there is a place in the heart that
will never be filled
and

we will wait
and
wait

in that space.”

[Fancy]

"A Little While, A Little While..." - Poem by Emily Jane Brontë


A little while, a little while,
The weary task is put away,
And I can sing and I can smile,
Alike, while I have holiday.

Why wilt thou go, my harassed heart,
What thought, what scene invites thee now?
What spot, or near or far,
Has rest for thee, my weary brow?

There is a spot, mid barren hills,
Where winter howls, and driving rain;
But if the dreary tempest chills,
There is a light that warms again.

The house is old, the trees are bare,
Moonless above bends twilight's dome;
But what on earth is half so dear,
So longed for, as the hearth of home?

The mute bird sitting on the stone,
The dank moss dripping from the wall,
The thorn-trees gaunt, the walks o'ergrown,
I love them, how I love them all!

Still, as I mused, the naked room,
The alien firelight died away,
And from the midst of cheerless gloom
I passed to bright unclouded day.

A little and a lone green lane
That opened on a common wide;
A distant, dreamy, dim blue chain
Of mountains circling every side;

A heaven so clear, an earth so calm,
So sweet, so soft, so hushed an air;
And, deepening still the dream-like charm,
Wild moor-sheep feeding everywhere.

That was the scene, I knew it well;
I knew the turfy pathway's sweep
That, winding o'er each billowy swell,
Marked out the tracks of wandering sheep.

Could I have lingered but an hour,
It well had paid a week of toil;
But Truth has banished Fancy's power:
Restraint and heavy task recoil.

Even as I stood with raptured eye,
Absorbed in bliss so deep and dear,
My hour of rest had fleeted by,
And back came labour, bondage, care.

Emily Jane Brontë

[Stone-Butch]

I have to BUMP these beautiful words on and on and on.

[Fancy]

The Cry
Paisley Rekdal

A man can cry, all night, your back
shaking against me as your mother
sleeps, hooked to the drip
to clear her kidneys from their muck
of sleeping pills. Each one white
as the snapper’s belly I once watched a man
gut by the ice bins in his truck, its last
bubbling grunt cleaved in two
with a knife. The way my uncle’s rabbit
growled in its cage, screamed
so like a child that when I woke the night
a fox chewed through the wires
to reach it, I thought it was my own voice
frozen in the yard. And then the fox,
trapped later by a neighbor, who thrashed
and barked, as did the crows
that came for its eyes: the sound
of one animal’s pain setting off a chain
in so many others, until each cry dissolves
into the next grown louder.
Even if I were blind
I would know night by the noise it made:
our groaning bed, the mewling
staircase, drapes that scrape
against glass panes behind which
stars rise, blue and silent.
But not even the stars
are silent: their pale waves
echo through space, the way my father’s
disappointment sags at my cheek,
and his brother’s anger
whitens his temple. And these
are your mother’s shoulders shaking
in my arms tonight, her thin breath
that drags at our window
where coyotes cry: one calling to the next
calling to the next, their tender throats
tipped back to the sky.

[Fancy]

O Captain! My Captain!
BY WALT WHITMAN


O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.

[Glenn]

Herr God, Herr Lucifer
Beware.
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.

Sylvia Plath, "Lady Lazarus," 1965

[Fancy]

On this day in 1862, Emily Dickinson's "Safe in Their Alabaster Chambers" was published. This was the second of only a handful of poems published in Dickinson's lifetime, all of them anonymously and, most think, without her knowledge. Six weeks later she sent her famous letter to the critic Thomas Wentworth Higginson: "Are you too deeply occupied to say if my Verse is alive?"


"Safe in their Alabaster Chambers" (124) by Emily Dickinson

Safe in their Alabaster Chambers -
Untouched by Morning -
and untouched by noon -
Sleep the meek members of the Resurrection,
Rafter of Satin and Roof of Stone -

Grand go the Years,
In the Crescent above them -
Worlds scoop their Arcs -
and Firmaments - row -
Diadems - drop -
And Doges surrender -
Soundless as Dots,
On a Disk of Snow.

[FireSignFemme]

BY E. E. CUMMINGS
i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart(i carry it in my heart)

[BullDog]

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of every day's
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints,—I love thee with the breath,
Smiles, tears, of all my life!—and, if God choose,
I shall but love thee better after death.

[BullDog]

I seem to have loved you in numberless forms, numberless times...
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.

Whenever I hear old chronicles of love, it's age old pain,
It's ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star, piercing the darkness of time.
You become an image of what is remembered forever.

You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played along side millions of lovers,
Shared in the same shy sweetness of meeting,
the distressful tears of farewell,
Old love but in shapes that renew and renew forever.

Today it is heaped at your feet, it has found its end in you
The love of all man's days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours -
And the songs of every poet past and forever.

[gotoseagrl]

Two Lovers And A Beachcomber By The Real Sea
by Sylvia Plath

Cold and final, the imagination
Shuts down its fabled summer house;
Blue views are boarded up; our sweet vacation
Dwindles in the hour-glass.

Thoughts that found a maze of mermaid hair
Tangling in the tide's green fall
Now fold their wings like bats and disappear
Into the attic of the skull.

We are not what we might be; what we are
Outlaws all extrapolation
Beyond the interval of now and here:
White whales are gone with the white ocean.

A lone beachcomber squats among the wrack
Of kaleidoscope shells
Probing fractured Venus with a stick
Under a tent of taunting gulls.

No sea-change decks the sunken shank of bone
That chucks in backtrack of the wave;
Though the mind like an oyster labors on and on,
A grain of sand is all we have.

Water will run by; the actual sun
Will scrupulously rise and set;
No little man lives in the exacting moon
And that is that, is that, is that.