Your Favorite Poems

[adorable]

If you want to read the English version click this link.

I like reading poetry in Spanish because it tends to be more beautiful than English. Since my Spanish sucks, just like with Latin music - what I read (or hear) tends to be different than what it actually says. lol. When I read the translation I'm always like..."oh, wait..what?"..I usually like my version better. Someday I hope to be able to understand idioms and have the ability to read a word in the context that it's being used. With poetry that ability is critical, otherwise most of the meaning is lost. I'm not there yet.


Moving on....


Autumn Evening
by David Lehman


(after Holderlin)

The yellow pears hang in the lake.
Life sinks, grace reigns, sins ripen, and
in the north dies an almond tree.

A genius took me by the hand and said
come with me though the time has not yet come.

Therefore, when the gods get lonely,
a hero will emerge from the bushes
of a summer evening
bearing the first green figs of the season.

For the glory of the gods has lain asleep
too long in the dark
in darkness too long
too long in the dark.

[Truly Scrumptious]

You happened to me. I was happened to
like an abandoned building by a bull-
dozer, like the van that missed my skull
happened a two-inch gash across my chin.
You were as deep down as I've ever been.
You were inside me like my pulse. A new-
born flailing toward maternal heartbeat through
the shock of cold and glare: when you were gone,
swaddled in strange air I was that alone
again, inventing life left after you.


I don't want to remember you as that
four o'clock in the morning eight months long
after you happened to me like a wrong
number at midnight that blew up the phone
bill to an astronomical unknown
quantity in a foreign currency.
The U.S. dollar dived since you happened to me.
You've grown into your skin since then; you've grown
into the space you measure with someone
you can love back without a caveat.

While I love somebody I learn to live
with through the downpulled winter days' routine
wakings and sleepings, half-and-half caffeine-
assisted mornings, laundry, stock-pots, dust-
balls in the hallway, lists instead of longing, trust
that what comes next comes after what came first.
She'll never be a story I make up.
You were the one I didn't know where to stop.
If I had blamed you, now I could forgive
you, but what made my cold hand, back in prox-
imity to your hair, your mouth, your mind,
want where it no way ought to be, defined
by where it was, and was and was until
the whole globed swelling liquefied and spilled
through one cheek's nap, a syllable, a tear,
was never blame, whatever I wished it were.
You were the weather in my neighborhood.
You were the epic in the episode.
You were the year poised on the equinox.

~ Marilyn Hacker

[adorable]

To Earthward
By Robert Frost

Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air

That crossed me from sweet things,
The flow of - was it musk
From hidden grapevine springs
Down hill at dusk?

I had the swirl and ache
From sprays of honeysuckle
That when they're gathered shake
Dew on the knuckle.

I craved strong sweets, but those
Seemed strong when I was young;
The petal of the rose
It was that stung.

Now no joy but lacks salt
That is not dashed with pain
And weariness and fault;
I crave the stain

Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.

When stiff and sore and scarred
I take away my hand
From leaning on it hard
In grass and sand,

The hurt is not enough:
I long for weight and strength
To feel the earth as rough
To all my length.

[Sassy]

Mowing

There was never a sound beside the wood but one,
And that was my long scythe whispering to the ground.
What was it it whispered? I knew not well myself;
Perhaps it was something about the heat of the sun,
Something, perhaps, about the lack of sound—
And that was why it whispered and did not speak.
It was no dream of the gift of idle hours,
Or easy gold at the hand of fay or elf:
Anything more than the truth would have seemed too weak
To the earnest love that laid the swale in rows,
Not without feeble-pointed spikes of flowers
(Pale orchises), and scared a bright green snake.
The fact is the sweetest dream that labor knows.
My long scythe whispered and left the hay to make.

--Robert Frost

[SoNotHer]

Live Oaks, New Orleans
by Jennifer Maier

They square off along Napoleon avenue,
opposing armies of dark women, leaning out
so far their branches meet at the top, like hands
grabbing fistfuls of tangled hair;
and some of them are old, with the thick,
scarred trunks of Storyville madams, and
roots so strong their suck heaves
up the sidewalk like so many broken
saltines. And some are young, with the
straightbacked bodies of girls who dream
of horses and the brown arms of the neighbor boys,
but underground the red roots grow together,
fuse in a living circuitry spun deep and
stronger than the whims of emperors, as if
they've known all along that earth's the right
place for love, as though, planted in battle lines,
they incline toward the circle, and hold it open,
vaulted and welcoming.

[SoNotHer]

[PaPa]

I loved you…
by Alexander Pushkin

I loved you, and I probably still do,
And for a while the feeling may remain...
But let my love no longer trouble you,
I do not wish to cause you any pain.
I loved you; and the hopelessness I knew,
The jealousy, the shyness - though in vain -
Made up a love so tender and so true
As may God grant you to be loved again.

[Fancy]

by Elizabeth Bishop

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.


--Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.

[SoNotHer]

March

by James Wright

A bear under the snow
Turns over to yawn.
It's been a long, hard rest.

Once, as she lay asleep, her cubs fell
Out of her hair,
And she did not know them.

It's hard to breathe
In a tight grave:

So she roars,
And the roof breaks.
Dark rivers and leaves
Pour down.

When the wind opens its doors
In its own good time,
The cubs follow that relaxed and beautiful woman
Outside to the unfamiliar cities
Of moss.

[Ginger]

Eres el regalo que nunca pedi
La porcion de cielo que no mereci
Todos mis anhelos se han cumplido en ti

You are the gift I never looked for
the portion of the sky I never deserved
all my yearning is fulfilled in you

Cristina Peri Rossi

[Fancy]

You are the sun in drag.
You are God hiding from yourself.
Remove all the “mine” – that is the veil.
Why ever worry about Anything?
Listen to what your friend Hafiz Knows for certain:
The appearance of this world
Is a Magi’s brilliant trick,
though its affairs are Nothing into nothing.
You are a divine elephant with amnesia,
Trying to live in an ant Hole.
Sweetheart, O sweetheart,
You are God in Drag!

- Hafiz

[SoNotHer]

The Coming of Light
by Mark Strand

Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow's dust flares into breath.

[SoNotHer]

Here's to the teachers who make so much happen. This poem 'makes' you want to scream "Yes!"



http://www.slideshare.net/ethos3/wha...rs-make-515731

He says the problem with teachers is, "What's a kid going to learn
from someone who decided his best option in life was to become a teacher?"

He reminds the other dinner guests that it's true what they say about
teachers:

Those who can, do; those who can't, teach.

I decide to bite my tongue instead of his
and resist the temptation to remind the other dinner guests
that it's also true what they say about lawyers.

Because we're eating, after all, and this is polite company.

"I mean, you're a teacher, Taylor," he says.
"Be honest. What do you make?"

And I wish he hadn't done that
(asked me to be honest)
because, you see, I have a policy
about honesty and ass-kicking:
if you ask for it, I have to let you have it.

You want to know what I make?

I make kids work harder than they ever thought they could.
I can make a C+ feel like a Congressional medal of honor
and an A- feel like a slap in the face.
How dare you waste my time with anything less than your very best.

I make kids sit through 40 minutes of study hall
in absolute silence. No, you may not work in groups.
No, you may not ask a question.
Why won't I let you get a drink of water?
Because you're not thirsty, you're bored, that's why.

I make parents tremble in fear when I call home:
I hope I haven't called at a bad time,
I just wanted to talk to you about something Billy said today.
Billy said, "Leave the kid alone. I still cry sometimes, don't you?"
And it was the noblest act of courage I have ever seen.

I make parents see their children for who they are
and what they can be.

You want to know what I make?

I make kids wonder,
I make them question.
I make them criticize.
I make them apologize and mean it.
I make them write, write, write.
And then I make them read.
I make them spell definitely beautiful, definitely beautiful, definitely
beautiful
over and over and over again until they will never misspell
either one of those words again.
I make them show all their work in math.
And hide it on their final drafts in English.
I make them understand that if you got this (brains)
then you follow this (heart) and if someone ever tries to judge you
by what you make, you give them this (the finger).

Let me break it down for you, so you know what I say is true:
I make a goddamn difference! What about you?

[SoNotHer]

The Centaur

By May Swenson (1919 - 1989)

The summer that I was ten --
Can it be there was only one
summer that I was ten?

It must have been a long one then --
each day I'd go out to choose
a fresh horse from my stable

which was a willow grove
down by the old canal.
I'd go on my two bare feet.

But when, with my brother's jack-knife,
I had cut me a long limber horse
with a good thick knob for a head,

and peeled him slick and clean
except a few leaves for the tail,
and cinched my brother's belt

around his head for a rein,
I'd straddle and canter him fast
up the grass bank to the path,

trot along in the lovely dust
that talcumed over his hoofs,
hiding my toes, and turning

his feet to swift half-moons.
The willow knob with the strap
jouncing between my thighs

was the pommel and yet the poll
of my nickering pony's head.
My head and my neck were mine,

yet they were shaped like a horse.
My hair flopped to the side
like the mane of a horse in the wind.

My forelock swung in my eyes,
my neck arched and I snorted.
I shied and skittered and reared,

stopped and raised my knees,
pawed at the ground and quivered.
My teeth bared as we wheeled

and swished through the dust again.
I was the horse and the rider,
and the leather I slapped to his rump

spanked my own behind.
Doubled, my two hoofs beat
a gallop along the bank,

the wind twanged in my mane,
my mouth squared to the bit.
And yet I sat on my steed

quiet, negligent riding,
my toes standing the stirrups,
my thighs hugging his ribs.

At a walk we drew up to the porch.
I tethered him to a paling.
Dismounting, I smoothed my skirt

and entered the dusky hall.
My feet on the clean linoleum
left ghostly toes in the hall.

Where have you been? said my mother.
Been riding, I said from the sink,
and filled me a glass of water.

What's that in your pocket? she said.
Just my knife. It weighted my pocket
and stretched my dress awry.

Go tie back your hair, said my mother,
and Why Is your mouth all green?
Rob Roy, he pulled some clover
as we crossed the field, I told her.

[Glenn]

Mind Breezes

There is no life.
There is no death.
Nature will do
What it will.
A bird sings from upon a branch,
A brick wall is silent.
Species die,
Wind blows,
Mind breezes.

[Kätzchen]

All The Hemispheres

Leave the familiar for a while.
Let your senses and bodies stretch out

Like a welcomed season
Onto the meadows and shores and hills.

Open up the roof.
Make a new water-mark on your excitement
And love.

Like a blooming night flower,
Bestow your vital fragrance of happiness
And giving
Upon our intimate assembly.

Change rooms in your mind for a day.

All the hemispheres in existence
Lie beside an equator
In your heart.

Greet yourself
In your thousand other forms
As you mount the hidden tide and travel
Back home.

All the hemispheres in heaven
Are sitting around a fire
Chatting.

While stitching themselves together
Into the Great Circle inside of
You.


~ Hafiz of Shiraz

[Soon]

Adolescence by P. K. Page

In love they wore themselves in a green embrace.
A silken rain fell through the spring upon them.
In the park she fed the swans and he
whittled nervously with his strange hands.
And white was mixed with all their colours
as if they drew it from the flowering trees.

At night his two finger whistle brought her down
the waterfall stairs to his shy smile
which like an eddy, turned her round and round
lazily and slowly so her will
was nowhere—as in dreams things are and aren’t.

Walking along avenues in the dark
street lamps sang like sopranos in their heads
with a violence they never understood
and all their movements when they were together
had no conclusion.

Only leaning into the question had they motion;
after they parted were savage and swift as gulls.
asking and asking the hostile emptiness
they were as sharp as partly sculptured stone
and all who watched, forgetting, were amazed
to see them form and fade before their eyes.

[MrSunshine]

If I could have just one wish,
I would wish to wake up everyday
to the sound of your breath on my neck,
the warmth of your lips on my cheek,
the touch of your fingers on my skin,
and the feel of your heart beating with mine...
Knowing that I could never find that feeling
with anyone other than you.

- Courtney Kuchta -