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One of my favorite museums in the world, The Tate Modern, is a renovated turbine hall; what was once a decrepit symbol of industrialism is now an icon in London and has some of the most unique and special exhibition spaces in the world. And like all museums in the UK, admission is free.
The actual Turbine Hall itself has housed some of my favorite exhibits 'The Weather Project' by Olafur Eliason Eliason is the artist that created the Waterfalls in New York a few years ago, he's also has permanent pieces in SF MoMA among other great collections. And I experienced one of my favorite sculptors Anish Kapoor in the Turbine Hall as well This exhibit is more recent and in Paris at the Grand Palais Kapoor created the very controversial red steel sculpture/structure outside of the Olympic stadium and his work that is probably most recognized in the US is Cloud Gate in Chicago (colloquially known as "the bean")
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The Power of Art - Van Gogh (complete episode)
The complete series: http://gekos.no/workshop/video.html The Dutch Post-Impressionist master. Van Gogh spent his early life as an art dealer, teacher and preacher in England, Holland and Belgium. His period as an artist began in 1881 when he chose to study art in Brussels, starting with watercolours and moving quickly on to oils. The French countryside was a major influence on his life and his early work was dominated by sombre, earthy colours depicting peasant workers, the most famous of which is The Potato Eaters, 1885. It was during Van Gogh's studies in Paris (1886-8) that he developed the individual style of brushwork and use of colour that made his name. In 1888 he moved to Arles where the Provençal landscape provided his best-known subject matter. However, it also marked the start of his mental crisis following an argument with his contemporary Paul Gauguin. Van Gogh was committed to a mental asylum in 1889 where he continued to paint, but he committed suicide in 1890. Sparkle, I also appreciate Kapoor's sculpture, you, and Reader welcome to the thread. Greco |
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Jean-Michel Basquiat: The Radiant Child (2010)
In his short career, Jean-Michel Basquiat was a phenomenon. He became notorious for his graffiti art under the moniker Samo in the late 1970s on the Lower East Side scene, sold his first painting to Deborah Harry for $200, and became best friends with Andy Warhol. Appreciated by both the art cognoscenti and the public, Basquiat was launched into international stardom. However, soon his cult status began to override the art that had made him famous in the first place. Director Tamra Davis pays homage to her friend in this definitive documentary but also delves into Basquiat as an iconoclast. His dense, bebop-influenced neoexpressionist work emerged while minimalist, conceptual art was the fad; as a successful black artist, he was constantly confronted by racism and misconceptions. Much can be gleaned from insider interviews and archival footage, but it is Basquiat's own words and work that powerfully convey the mystique and allure of both the artist and the man. Greco |
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My favorite artist is Amanda McDonough. (my fiancee)
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Elizabeth Bishop
One Art by Elizabeth Bishop The art of losing isn't hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn't hard to master. Then practice losing farther, losing faster: places, and names, and where it was you meant to travel. None of these will bring disaster. I lost my mother's watch. And look! my last, or next-to-last, of three loved houses went. The art of losing isn't hard to master. I lost two cities, lovely ones. And, vaster, some realms I owned, two rivers, a continent. I miss them, but it wasn't a disaster. --Even losing you (the joking voice, a gesture I love) I shan't have lied. It's evident the art of losing's not too hard to master though it may look like (Write it!) like disaster. Greco |
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![]() His dress was shabby; he was a solitary. In 1930 he settled into a second-floor room on Chicago's north side. It was in this room, more than 40 years later, after his death in 1973, that Darger's extraordinary secret life was discovered. Amid a thick accumulation of debris- including hundreds of Pepto-Bismol bottles, nearly a thousand balls of string, old newspapers, magazines and comic books, religious kitsch and much more- his landlord, the photographer Nathan Lerner, found a creative life's work: an enormous literary and pictorial production. The key element was a picaresque tale in 12 massive volumes composed of some 19,000 pages of legal-sized paper filled with single-spaced typing entitled The Story of the Vivian Girls, in what is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm, Caused by the Child Slave Rebellion. The origins of this epic appear to be in 1909. It took more than eleven years to write it in longhand; in 1912 Darger began the task of typing the still incomplete manuscript... the most important supplement to the book, however, exists in the several hundred watercolor paintings Darger left in his room, many of them illustrations for The Realms of the Unreal. They transform Darger’s apocalyptic text into a body of images that are among the most original and beautiful in outsider art. http://www.hammergallery.com/artists/darger/darger.htm |
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Still I rise - Dr. Maya Angelou
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https://soundcloud.com/conormont https://www.youtube.com/watch?v=kb1y2xyfYSw If Not Me-Who If Not Now-When If Not Here-Where |
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I don't know who did this photo. I think it was a Tumblr called virtually_supine
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Now say you're sorry for ushering in the fourth fucking reich- anonymous |
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I think Manet is so much more interesting than Monet. Don't you?
What I especially like about his work is how it was rejected and criticized so often during his time his time but he just kept going. The so-called experts said his perspective was 'off' and his art didn't make sense. Well, duh. They didn't realize that he did it all intentionally! That is not to say Edouard Manet was a nice guy. Probably not. But he was very effective at revealing a deep story about the period and the people he painted. Anyway, you should all read about Manet if you're interested in art at all. You can't really 'get it' unless you know something about the place and time. One of his best paintings (imo) has nudity. It's called The Luncheon on the Grass. ![]() You can find it here along with some good biographical info. I mean, Monet is nice too but how many scenes of flowers or ladies in rowboats do we really need to see? Amiright? ![]()
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