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Poetry Please start one thread for your own poetry and just add to it! |
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#1 | |
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To Have Without Holding Learning to love differently is hard, love with the hands wide open, love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms rustling the sheets and snapping the blinds that thwack like rubber bands in an open palm. It hurts to love wide open stretching the muscles that feel as if they are made of wet plaster, then of blunt knives, then of sharp knives. It hurts to thwart the reflexes of grab, of clutch; to love and let go again and again. It pesters to remember the lover who is not in the bed, to hold back what is owed to the work that gutters like a candle in a cave without air, to love consciously, conscientiously, concretely, constructively. I can't do it, you say it's killing me, but you thrive, you glow on the street like a neon raspberry, You float and sail, a helium balloon bright bachelor's button blue and bobbing on the cold and hot winds of our breath, as we make and unmake in passionate diastole and systole the rhythm of our unbound bonding, to have and not to hold, to love with minimized malice, hunger and anger moment by moment balanced. Marge Piercy |
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#2 |
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![]() ![]() by May Sarton With no wind blowing It sifts gently down, Enclosing my world in A cool white down, A tenderness of snowing. It falls and falls like sleep Till wakeful eyes can close On all the waste and loss As peace comes in and flows, Snow-dreaming what I keep. Silence assumes the air And the five senses all Are wafted on the fall To somewhere magical Beyond hope and despair. There is nothing to do But drift now, more or less On some great lovingness, On something that does bless, The silent, tender snow. |
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#3 |
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What Are Big Girls Made Of?
Marge Piercy The construction of a woman: a woman is not made of flesh of bone and sinew belly and breasts, elbows and liver and toe. She is manufactured like a sports sedan. She is retooled, refitted and redesigned every decade. Cecile had been seduction itself in college. She wriggled through bars like a satin eel, her hips and ass promising, her mouth pursed in the dark red lipstick of desire. She visited in '68 still wearing skirts tight to the knees, dark red lipstick, while I danced through Manhattan in mini skirt, lipstick pale as apricot milk, hair loose as a horse's mane. Oh dear, I thought in my superiority of the moment, whatever has happened to poor Cecile? She was out of fashion, out of the game, disqualified, disdained, dis- membered from the club of desire. Look at pictures in French fashion magazines of the 18th century: century of the ultimate lady fantasy wrought of silk and corseting. Paniers bring her hips out three feet each way, while the waist is pinched and the belly flattened under wood. The breasts are stuffed up and out offered like apples in a bowl. The tiny foot is encased in a slipper never meant for walking. On top is a grandiose headache: hair like a museum piece, daily ornamented with ribbons, vases, grottoes, mountains, frigates in full sail, balloons, baboons, the fancy of a hairdresser turned loose. The hats were rococo wedding cakes that would dim the Las Vegas strip. Here is a woman forced into shape rigid exoskeleton torturing flesh: a woman made of pain. How superior we are now: see the modern woman thin as a blade of scissors. She runs on a treadmill every morning, fits herself into machines of weights and pulleys to heave and grunt, an image in her mind she can never approximate, a body of rosy glass that never wrinkles, never grows, never fades. She sits at the table closing her eyes to food hungry, always hungry: a woman made of pain. A cat or dog approaches another, they sniff noses. They sniff asses. They bristle or lick. They fall in love as often as we do, as passionately. But they fall in love or lust with furry flesh, not hoop skirts or push up bras rib removal or liposuction. It is not for male or female dogs that poodles are clipped to topiary hedges. If only we could like each other raw. If only we could love ourselves like healthy babies burbling in our arms. If only we were not programmed and reprogrammed to need what is sold us. Why should we want to live inside ads? Why should we want to scourge our softness to straight lines like a Mondrian painting? Why should we punish each other with scorn as if to have a large ass were worse than being greedy or mean? When will women not be compelled to view their bodies as science projects, gardens to be weeded, dogs to be trained? When will a woman cease to be made of pain? |
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#4 |
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i carry your heart with me
e. e. cummings i carry your heart with me(i carry it in my heart)i am never without it(anywhere i go you go,my dear;and whatever is done by only me is your doing,my darling) i fear no fate(for you are my fate,my sweet)i want no world(for beautiful you are my world,my true) and it’s you are whatever a moon has always meant and whatever a sun will always sing is you here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life;which grows higher than soul can hope or mind can hide) and this is the wonder that's keeping the stars apart i carry your heart(i carry it in my heart) |
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![]() ![]() Virgil's Bees by Carol Ann Duffy Bless air's gift of sweetness, honey from the bees, inspired by clover, marigold, eucalyptus, thyme, the hundred perfumes of the wind. Bless the beekeeper who chooses for her hives a site near water, violet beds, no yew, no echo. Let the light lilt, leak, green or gold, pigment for queens, and joy be inexplicable but there in harmony of willowherb and stream, of summer heat and breeze, each bee's body at its brilliant flower, lover-stunned, strumming on fragrance, smitten. |
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#6 |
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Something I found ridiculously beautiful:
THE END by Victoria Redel At the end of the marriage they lay down on their big, exhausted bed. It was crowded with all the men and women they had ever loved. Of course their fathers and mothers were there and a boy in uniform she'd kissed on a stairwell. His first wife spooned her first husband. Ridiculous Affair held hands with Stupendous Infatuation. There was a racket of dreaming and, though both were tired from the difficult end and in need of sleep, neither could sleep, so they began telling each other the long, good story of their love. She was wearing the red dress. The white boat hitched to the wood dock filled with rainwater. The swans were again teaching the young to fly. The story went out to nice dinners, took summer holidays, and by the time they were done, the old loves rolled over in a jumble on the floor, and, because this is what they knew to do well with one another, they made love, and then without thinking it was the last time, said, I love you, and fell asleep under the heavy, blue coverlet. "The End" by Victoria Redel, from Woman Without Umbrella. © Four Way Books, 2012. Reprinted with without permission
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Love is all you need. ![]() |
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#7 |
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LEGS
by Joseph Harker A man walks into the cafe on a Pair Of Legs. These are the kind of legs that demand metaphor: legs drifting in like the masts of capsized ships, legs like walnut saplings in the churchyard. What is it about a pair of legs that enchants a person? Or any body part: for he also has arms, knuckles, upper lip, cropped nape, but it’s the legs that get me. His legs resist like longbows. Running shorts show one bronze, fresh-mowed leg with Hebrew tracery tattooed round the thigh. What’s “nice legs” in Hebrew? How do you compliment a stranger’s legs without sounding strange? I know the legs of women are up for constant debate, the apparition of their legs traded on the commodities market by leg-men whistling as they dig the street, knowing good legs and thinking they’ve something to prove. Legs, though, have never inspired me until These Legs. I was never a vulgar leg-admirer hooting at the passerby. Can one man worship the legs of another, lay kisses on the saintly knees? And why couldn’t legs be that once-in-a-lifetime quality? Well-legged can mean marriageable. Good legs make men dependable, worldly, and these legs could be wandering monuments, sculptural as they are. I feel I am discovering legs for the first time. I’m seeing legs, legs, suddenly I am judging everyone by the curve of their legs, sitting here shaking at the injustice of subpar legs, of overgrown and shapeless legs milling about this man with Dead Sea Legs as he stands, stretches, pays for his coffee, scratches his one tattooed leg, that alphabet leg!, flexing and spinning him away like a gyroscope, out the door, his Legs gone and him gone with them. "LEGS" by Joseph Harker reprinted without permission from his blog Naming Constellations entry dated 7/19/2013 -----please see: http://creativecommons.org/licenses/...3.0/deed.en_US ----- (I'll note that the writer claims he wrote this one for fun and tried to fit the word leg(s) into every line)
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Love is all you need. ![]() Last edited by PoeticSilence; 08-28-2013 at 05:02 AM. Reason: edited to add author information |
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#8 |
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But Listen, I Am Warning You
But listen, I am warning you I'm living for the very last time. Not as a swallow, nor a maple, Not as a reed, nor as a star, Not as spring water, Nor as the toll of bells… Will I return to trouble men Nor will I vex their dreams again With my insatiable moans. Anna Akhmatova |
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![]() Breakfast by Joyce Sutphen My father taught me how to eat breakfast those mornings when it was my turn to help him milk the cows. I loved rising up from the darkness and coming quietly down the stairs while the others were still sleeping. I'd take a bowl from the cupboard, a spoon from the drawer, and slip into the pantry where he was already eating spoonfuls of cornflakes covered with mashed strawberries from our own strawberry fields forever. Didn't talk much—except to mention how good the strawberries tasted or the way those clouds hung over the hay barn roof. Simple—that's how we started up the day. |
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#10 |
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![]() ![]() In the Late Season by Tom Hennen At the soft place in the snowbank Warmed to dripping by the sun There is the smell of water. On the western wind the hint of glacier. A cottonwood tree warmed by the same sun On the same day, My back against its rough bark Same west wind mild in my face. A piece of spring Pierced me with love for this empty place Where a prairie creek runs Under its cover of clear ice And the sound it makes, Mysterious as a heartbeat, New as a lamb. |
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![]() Trombone Lesson by Paul Hostovsky The twenty minutes from half past nine to ten of ten is actually slightly longer than the twenty minutes from ten of ten to ten past ten, which is half downhill as anyone who's ever stared at the hillocky face of a clock in the 5th grade will tell you. My trombone lesson with Mr. Leister was out the classroom door and down the tessellating hallway to the band room which was full of empty chairs and music stands from ten past ten to ten-forty, which is half an hour and was actually slightly shorter than the twenty minutes that came before or after which as anyone who's ever played trombone will tell you, had to do with the length of the slide and the smell of the brass and also the mechanism of the spit-valve and the way that Mr. Leister accompanied me on his silver trumpet making the music sound so elegantly and eminently better than when I practiced it at home for hours and hours which were all much shorter than an hour actually, as anyone who's ever practiced the art of deception with a musical instrument will tell you, if he's honest and has any inkling of the spluttering, sliding, flaring, slippery nature of time, youth and trombones. |
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#12 |
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![]() ![]() (not in its entirety...just the bits I love most) LET us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question…. Oh, do not ask, “What is it?” Let us go and make our visit. I should have been a pair of ragged claws Scuttling across the floors of silent seas. I grow old … I grow old … I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. ![]()
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"If you have come to help me, you are wasting your time. But if you have come because your liberation is bound up with mine, then let us walk together." Lila Watson You say you love rain, but you use an umbrella to walk under it.
You say you love sun, but you seek shade when its shining. You say you love wind, but when its comes you close your window. So that's why I'm scared, when you say you love me. -- Bob Marley |
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#13 |
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![]() ![]() String Quartet by Carl Dennis Art and life, I wouldn't want to confuse them. But it's hard to hear this quartet Without comparing it to a conversation Of the quiet kind, where no one tries to outtalk The other participants, where each is eager instead To share in the task of moving the theme along From the opening statement to the final bar. A conversation that isn't likely to flourish When sales technicians come trolling for customers, Office-holders for votes, preachers for converts. Many good people among such talkers, But none engaged like the voices of the quartet In resisting the plots time hatches to make them unequal, To set them at odds, to pull them asunder. I love the movement where the cello is occupied With repeating a single phrase while the others Strike out on their own, three separate journeys That seem to suggest each prefers, after all, The pain and pleasure of playing solo. But no. Each near the end swerves back to the path Their friend has been plodding, and he receives them As if he never once suspected their loyalty. Would I be moved if I thought the music Belonged to a world remote from this one, If it didn't seem instead to be making the point That conversation like this is available At moments sufficiently free and self-forgetful? And at other moments, maybe there's still a chance To participate in the silence of listeners Who are glad for what they manage to bring to the music And for what they manage to take away. |
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![]() Places to Return by Dana Gioia There are landscapes one can own, bright rooms which look out to the sea, tall houses where beyond the window day after day the same dark river turns slowly through the hills, and there are homesteads perched on mountaintops whose cool white caps outlast the spring. And there are other places which, although we did not stay for long, stick in the mind and call us back— a valley visited one spring where walking through an apple orchard we breathed its blossoms with the air. Return seems like a sacrament. Then there are landscapes one has lost— the brown hills circling a wide bay I watched each afternoon one summer talking to friends who now are dead. I like to think I could go back again and stand out on the balcony, dizzy with a sense of déjà vu. But coming up these steps to you at just that moment when the moon, magnificently full and bright behind the lattice-work of clouds, seems almost set upon the rooftops it illuminates, how shall I ever summon it again? |
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#15 |
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Every great dream begins with a dreamer. Always remember, you have within you the strength, the patience, and the passion to reach for the stars to change the world.
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Faith is not belief without proof, but trust without reservation. It is said, " Some lives are linked across time..... Connected by an ancient calling that echoes through the ages "...... |
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Often the change expressed in divorce does'nt finish like life finishes. It does'nt end with a bang, nor with a whimper. It's more like
Crossing over I was on a journey to another land. I thought I would know when I crossed over, There would be a fence, a gate, a guard, A sign in two languages. But it was not so. I was a traveler on a road, The road deteriorated into ruts, The ruts filled with sand, The sand drifted this way and that, Once upon a time, there had been a road. Time came I knew I was in a different place, If I had seen the point where I had crossed, it would not have been there. But I had crossed over. |
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.................................................. .........................................
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Faith is not belief without proof, but trust without reservation. It is said, " Some lives are linked across time..... Connected by an ancient calling that echoes through the ages "...... |
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#18 |
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Promise Yourself
To be so strong that nothing can disturb your peace of mind. To talk health, happiness, and prosperity to every person you meet. To make all your friends feel that there is something in them To look at the sunny side of everything and make your optimism come true. To think only the best, to work only for the best, and to expect only the best. To be just as enthusiastic about the success of others as you are about your own. To forget the mistakes of the past and press on to the greater achievements of the future. To wear a cheerful countenance at all times and give every living creature you meet a smile. To give so much time to the improvement of yourself that you have no time to criticize others. To be too large for worry, too noble for anger, too strong for fear, and too happy to permit the presence of trouble. To think well of yourself and to proclaim this fact to the world, not in loud words but great deeds. To live in faith that the whole world is on your side so long as you are true to the best that is in you.” ― Christian D. Larson |
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#19 | |
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I don't want to spend my life with someone I can live with, I want to spend my life with someone I can't live without. |
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#20 |
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Hug O' War
I will not play at tug o' war. I'd rather play at hug o' war, Where everyone hugs Instead of tugs, Where everyone giggles And rolls on the rug, Where everyone kisses, And everyone grins, And everyone cuddles, And everyone wins." ~Shel Silverstein
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Now say you're sorry for ushering in the fourth fucking reich- anonymous |
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