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| Poetry Please start one thread for your own poetry and just add to it! |
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![]() The Underworld by Sharon Bryan When I lived in the foothills birds flocked to the feeder: house finches, goldfinches, skyblue lazuli buntings, impeccably dressed chickadees, sparrows in work clothes, even hummingbirds fastforwarding through the trees. Some of them disappeared after a week, headed north, I thought, with the sun. But the first cool day they were back, then gone, then back, more reliable than weathermen, and I realized they hadn't gone north at all, but up the mountain, as invisible to me as if they had flown a thousand miles, yet in reality just out of sight, out of reach— maybe at the end of our lives the world lifts that slightly away from us, and returns once or twice to see if we've refilled the feeder, if we still remember it, or if we've taken leave of our senses altogether. |
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Sadness causes the most wonderful growth:
There is a curious paradox that no one can explain: who understands the secrets of the reaping of the grain? Who understands why spring is born out of winter's laboring pain, or why we all must die a bit before we grow again? El Gallo from the play The Fantasticks |
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“In youth, it was a way I had,
To do my best to please. And change, with every passing lad To suit his theories. But now I know the things I know And do the things I do, And if you do not like me so, To hell, my love, with you.” ― Dorothy Parker, The Complete Poems of Dorothy Parker |
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Another e.e. cummings into the mix: One of my all time fave's:
she being Brand -new;and you know consequently a little stiff i was careful of her and(having thoroughly oiled the universal joint tested my gas felt of her radiator made sure her springs were O. K.)i went right to it flooded-the-carburetor cranked her up,slipped the clutch(and then somehow got into reverse she kicked what the hell)next minute i was back in neutral tried and again slo-wly;bare,ly nudg. ing(my lev-er Right- oh and her gears being in A 1 shape passed from low through second-in-to-high like greasedlightning)just as we turned the corner of Divinity avenue i touched the accelerator and give her the juice,good (it was the first ride and believe i we was happy to see how nice she acted right up to the last minute coming back down by the Public Gardens i slammed on the internalexpanding & externalcontracting brakes Bothatonce and brought allofher tremB -ling to a:dead. stand- ;Still) -e.e. cummings
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"If you have come to help me, you are wasting your time. But if you have come because your liberation is bound up with mine, then let us walk together." Lila Watson You say you love rain, but you use an umbrella to walk under it.
You say you love sun, but you seek shade when its shining. You say you love wind, but when its comes you close your window. So that's why I'm scared, when you say you love me. -- Bob Marley |
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#6 |
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The Woodstove by Jennifer Grotz The woodstove is banked to last the night, its slim legs, like an elegant dog's, stand obediently on the tile floor while in its belly a muffled tumult cries like wind keening through the hemlocks. Human nature to sleep by fire, and human nature to be sleepless by it too. I get up to watch the blue flames finger soft chambers in the wood while the coals swell with scintillating breaths. What made Rousseau once observe that dogs will not build fires? (And further, that in the pleasing warmth of a fire already started, they will not add wood?) What is it to be human? To forge connection, to make interpretations of fire and contain them in a little iron stove? And what is it to be fire? To burn with indifference, to consume the skin of the arm as easily as the bark of a log. Sleepy warmth begins to fill the room in which life wants to live and fire wants to burn, the room which in the morning will hold a fire changed to cooling ash. Outside, smoke escapes and for an instant mirrors nature too, the way falling snow reveals the wind's mind, and change of mind, before world and mind grow inscrutable again. |
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Odessa by Patricia Kirkpatrick I drove through Sacred Heart and Montevideo, over the Chippewa River, all the way to Madison. When I stopped, walked into grass— bluestem, wild rose, a monarch— I was afraid at first. Birds I couldn't identify might have been bobolinks, non-breeding plumage. I am always afraid of what might show up, suddenly. What might hide. At dusk I saw the start of low plateaus, plains really, even when planted. Almost to the Dakota border I was struck by the isolation and abiding loneliness yet somehow thrilled. Alone. Hardly another car on the road and in town, just a few teenagers wearing high school sweatshirts, walking and laughing, on the edge of a world they don't know. Darkness started as heaviness in the colors of fields, a tractor, cornstalks, stone. I turned back just before the Prairie Wildlife Refuge at Odessa, the place I came to see. Closed. Empty. The moon rose. Full. I was driving Highway 7, the "Sioux Trail:" I could feel the past the way I could in Mexico, Mayan tombs in the jungle at Palenque, men tearing papers from our hands. Three hours still to drive home. |
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