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Such interesting stories! |
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#2 |
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cleverly disguised as a responsible adult* Preferred Pronoun?:
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No, thank you. Join Date: Feb 2010
Location: Home in NC..gonna dig in like a tick this time…
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I am currently very engaged in Captured by Indians~15 Firsthand Accounts 1750~1870
The entries offer a great deal of insight into the (then) unblemished culture of early Native Americans. The only downfall; they are original accounts...I can adjust to the vocabulary of the day...but some of the authors were just better writers than others. I muddle through the ones that dont write as well. The stories are still very interesting.
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#3 |
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![]() ![]() Amazon: Book Description Publication Date: April 30, 2013 From the New York Times best-selling author of The Emperor’s Children, a masterly new novel: the riveting confession of a woman awakened, transformed and betrayed by a desire for a world beyond her own. Nora Eldridge, an elementary school teacher in Cambridge, Massachusetts, long ago compromised her dream to be a successful artist, mother and lover. She has instead become the “woman upstairs,” a reliable friend and neighbor always on the fringe of others’ achievements. Then into her life arrives the glamorous and cosmopolitan Shahids—her new student Reza Shahid, a child who enchants as if from a fairy tale, and his parents: Skandar, a dashing Lebanese professor who has come to Boston for a fellowship at Harvard, and Sirena, an effortlessly alluring Italian artist. When Reza is attacked by schoolyard bullies, Nora is drawn deep into the complex world of the Shahid family; she finds herself falling in love with them, separately and together. Nora’s happiness explodes her boundaries, and she discovers in herself an unprecedented ferocity—one that puts her beliefs and her sense of self at stake. Told with urgency, intimacy and piercing emotion, this brilliant novel of passion and artistic fulfillment explores the intensity, thrill—and the devastating cost—of embracing an authentic life. |
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#4 |
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![]() ![]() The short fiction of American literary cult figure Paul Bowles is marked by a unique, delicately spare style, and a dark, rich, exotic mood, by turns chilling, ironic, and wry—possessing a symmetry between beauty and terror that is haunting and ultimately moral. In "Pastor Dowe at Tecaté," a Protestant missionary is sent to a faraway place where his God has no power. In "Call at Corazón," an American husband abandons his alcoholic wife on their honeymoon in a South American jungle. In "Allal," a boy's drug-induced metamorphosis into a deadly serpent leads to his violent death. Here also are some of Bowles's most famous works, including "The Delicate Prey," a grimly satisfying tale of vengeance, and "A Distant Episode," which Tennessee Williams proclaimed "a masterpiece." Raymond Carver once said that he liked short stories that had "some feeling of threat or sense of menace." He would have loved Bowles's work. These pieces, set mostly in Tangier where Bowles, an American expatriate, lived most of his life and died in 2001 are often bizarre, sadistic, and menacing. In appearance, Bowles was an elegant man, but as a narrator he was remote, pitiless, and unsympathetic, and he dealt harshly with his characters, whether Moroccan or European expatriates. In "The Garden," "Mejdoub," and "Things Gone and Things Still Here," which echo Moroccan legend and folklore, the unrelenting desert is a huge presence. In other stories, like "The Hours After Noon" and "Too Far from Home," Bowles exposes the psychological fragility of the non-African in the North African desert, where Western values are a chimera. Containing 62 stories arranged chronologically and spanning 40 years, this edition is being published as part of the 30th anniversary of Ecco Press, of which Bowles was a cofounder. Essential for larger fiction collections. |
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#5 |
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![]() ![]() From the Back Cover: A wildly inventive new collection of stories by Joyce Carol Oates that charts the surprising ways in which the world we think we know can unexpectedly reveal its darker contours The New York Times has hailed Joyce Carol Oates as "a dangerous writer in the best sense of the word, one who takes risks almost obsessively with energy and relish."Black Dahlia & White Rose, a collection of eleven previously uncollected stories, showcases the keen rewards of Oates's relentless brio and invention. In one beautifully honed story after another, Oates explores the menace that lurks at the edges of and intrudes upon even the seemingly safest of lives—and maps with rare emotional acuity the transformational cost of such intrusions. Unafraid to venture into no-man's-lands both real and surreal, Oates takes readers deep into dangerous territory,from a maximum-security prison—vividly delineating the heartbreaking and unexpected atmosphere of such an institution—to the inner landscapes of two beautiful and mysteriously doomed young women in 1940s Los Angeles: Elizabeth Short, otherwise known as the Black Dahlia,victim of a long-unsolved and particularly brutal murder,and her roommate Norma Jeane Baker, soon to become Marilyn Monroe. Whether exploring the psychological compulsion of the wife of a well-to-do businessman who is ravished by, and elopes with, a lover who is not what he seems or the uneasily duplicitous relationships between young women and their parents, Black Dahlia & White Rose explores the compelling intertwining of dread and desire,the psychic pull and trauma of domestic life, and resonates at every turn with Oates's mordant humor and her trenchant observation. |
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